Best Actress Playlist

A couple of weeks ago, I randomly noticed that in my iTunes I had three songs whose titles corresponded to the titles of three of Bette Davis' Oscar nominations. I thought this was a funny coincidence so I tried to see if I could come up with any others. I didn't--you try finding a song called Mr. Skeffington!--but it got me thinking about what other Best Actress-titled songs I could find in my iTunes. Here's what I came up with, in order of the Oscar nomination:

Ann Harding, Holiday

'Holiday' by Green Day
'Holiday' by Madonna

Bette Davis, Dangerous

'Dangerous' by Monrose

Norma Shearer, Romeo & Juliet

'Romeo and Juliet' by The Killers

Bette Davis, Jezebel

'Jezebel' by Chely Wright

Irene Dunne, Love Affair

'Was it Just Another Love Affair?' by The Eurythmics

Bette Davis, The Letter

'The Letter' by Michael Johns and Carly Smithson

Susan Hayward, My Foolish Heart

'My Foolish Heart' by Paula Abdul

Katharine Hepburn, Summertime

'Summertime' by Fantasia Barrino

Faye Dunaway, Bonnie and Clyde

'03 Bonnie & Clyde' by Jay-Z and Beyoncé

Ali MacGraw, Love Story

'Love Story' by Taylor Swift

Liza Minnelli, Cabaret

'Cabaret' by Liza Minnelli

Barbra Streisand, The Way We Were

'The Way We Were' by Barbra Streisand

Bette Midler, The Rose

'The Rose' by Bette Midler

Gena Rowlands, Gloria

'Gloria' by Laura Branigan

Sissy Spacek, Missing

'Missing' by Everything But the Girl

Jessica Lange, Sweet Dreams

'Sweet Dreams' by Beyoncé
'Sweet Dreams (Are Made of This)' by The Eurythmics

Jessica Lange, The Music Box

'Music Box Dancer' by Frank Mills

Kathy Bates, Misery

'Misery' by P!nk and Steven Tyler

Angela Bassett, What's Love Got to Do With It?

'What's Love Got to Do With It' by Tina Turner

Elisabeth Shue, Leaving Las Vegas

'Leaving Las Vegas' by Sheryl Crow

Juliette Binoche, Chocolat

'Chocolate' by Kylie Minogue

Judi Dench, Iris

'Iris' by The Goo Goo Dolls

Diane Lane, Unfaithful

'Unfaithful' by Rihanna

Charlize Theron, Monster

'Monster' by Lady GaGa

Reese Witherspoon, Walk the Line

'I Walk the Line' by Johnny Cash

And, in case you're missing any and want to complete this amazing playlist, click on this link and you can download them.

I know this playlist is hardly exhaustive, so does anyone have any suggestions? There's a song from the 80's called 'Suddenly, Last Summer' but I wasn't able to find it online. And there has to be songs called 'Queen,' 'Blue Sky' and 'A Man and a Woman,' but I haven't come across them. I'm hoping some of my more music savvy peeps can help out in that regard. Bonus points to anyone who can find a song called 'The Story of Adèle H.'

10 Best Actresses I'm Excited For, 10 Not So Much

With Nick Davis winding up his immaculate Best Actress Project with a profile of a Best Actress nominee every day for the past week and a half or so, I've become re-immersed in my own progress with the category. After watching Ship of Fools a couple of days ago (and I was fighting the whole way not to turn that piece of crap off), I am now down to 80 nominees left to see. Not too shabby, me thinks. Of course, there are a few films which are either obscure as hell in America (Marriage- Italian Style, The Constant Nymph), not available in any format besides the film (The Barker, The Trespasser) or outright banned because of copyright issues (The Blue Veil), but, for the most part, a lot of the remaining ladies shouldn't be too difficult to find. So, in order to commence this re-immersion, here are ten ladies I'm eagerly anticipating...

Diahann Carroll, Claudine I'm usually fascinated by stories about African American families struggling to overcome racism and a vicious cycle of poverty. Bonus points: Nick Davis is ecstatic about Carroll's work here.
Stockard Channing, Six Degrees of Separation I always enjoy Stockard Channing. Seriously one of the most underrated actresses around.
Joan Crawford, Sudden Fear Joan's last nomination. Apparently Oscar saved the best for last. I'm optimistic, but it will be hard to top Possessed.
Jessica Lange, Frances Lange plays a mad actress from the 1940's in a highly emotional and excessive way. Sign me up, sign me up!
Carrie Snodgress, Diary of a Mad Housewife I love a good film about a despondent, lonely housewife. Plus, the film was directed by Frank Perry (aka the man who brought us Faye Dunaway in Mommie Dearest).
Kim Stanley, Séance on a Wet Afternoon Director Bryan Forbes has been 2 for 2 with me in terms of Best Actress nominees he has directed (Caron in The L-Shaped Room, Edith Evans in The Whisperers). Can Stanley make it 3?
Meryl Streep, Ironweed I've heard this is one of Streep's more underrated efforts. Let's see if she can match the quiet hype.
Gloria Swanson, Sadie Thompson Completely fascinated by the 1932 version with Joan Crawford (one of her best performances ever). Interested in what Swanson will be able to do in this silent version.
Liv Ullmann, Face to Face According to many who have been fortunate enough to see it, this is Ullmann's best work. And that's truly saying something about the woman who gave us Persona, Cries and Whispers and Autumn Sonata. Criterion, release this shit soon, please.
Sigourney Weaver, Aliens LOVED her kick-ass Ripley in Alien. Apparently, she's even better here.

...and, on the flip side, here are ten ladies I'm gonna have to be tied down Clockwork Orange-style in order to get through:

Geneviève Bujold, Anne of the Thousand Days A studio-made historical epic from the mid-60's designed purely for Oscar consideration. Shoot me now.
Ava Gardner, Mogambo I've never been particularly fond of Gardner. Combined with Grace Kelly and post-Lombard Clark Gable in a John Ford film sounds like pure torture.
Jennifer Jones, Love Letters The epitome of an actress who slept her way to the top. All of her other nominations have been close to insufferable.
Sarah Miles, Ryan's Daughter A 3.5 hour David Lean epic that's not even as good as the middling The Bridge on the River Kwai. Oscar truly is a sadistic bastard sometimes.
Michelle Pfeiffer, Love Field Not a huge Pfeiffer fan and this sounds like Movie of the Week stuff to me.
Debbie Reynolds, The Unsinkable Molly Brown I normally adore Debbie Reynolds, but I've heard nothing but bad things about this one.
Janet Suzman, Nicholas and Alexandra See Bujold above.
Gene Tierney, Leave Her to Heaven I simply don't get the big deal about her. One man's acting goddess truly is another's vacant dummy.
Kathleen Turner, Peggy Sue Got Married I saw the first twenty minutes a few years ago and was hardly impressed. It's going to take a lot to get me to try this one again.
Loretta Young, Come to the Stable One of the worst Best Actress winners ever is back as a kind and gracious nun. Just...no.

My Best Actress Winners

Recently, I realized that I've never really shared something very important with you: who I would pick as my Diva Cup Award winners for Best Actress. I've shared with you my recent winners (and I've already changed from Streep to Dench in 2006) but nothing before 2004 or so. In case you're ever curious who I would pick in 1946 or any other random year, here it is for you in beautiful pictorial form starting with 1927/28.

By the way, a note on the 70's, 80's and 90's: I'm a child of TCM. My cinematic awakening coincided with my discovery of films from the 30's and 40's so I watched (and still watch) TCM obsessively. The only problem with that is they usually don't show many films from the 70's, 80's and into the 90's, so that's why I'm noticeably weak there with some of my choices. I hope to someday fill in huge gaps in these years, but my choices for now will have to do.

Row #1: Eleanor Boardman, Lillian Gish, Greta Garbo, Marie Dressler, Joan Crawford

Row #2: Greta Garbo, Norma Shearer, Katherine Hepburn, Jean Harlow, Irene Dunne

Row #3: Katharine Hepburn, Vivien Leigh, Bette Davis, Barbara Stanwyck, Greer Garson

Row #4: Teresa Wright, Judy Garland, Arletty, Ingrid Bergman, Joan Crawford

Row #5: Olivia de Havilland, Olivia de Havilland, Bette Davis and Gloria Swanson, Vivien Leigh, Judy Holliday

Row #6: Marilyn Monroe, Judy Garland, Susan Hayward, Giulietta Masina, Tatyana Samojlova

Row #7: Elizabeth Taylor, Marilyn Monroe, Shirley MacLaine, Audrey Hepburn, Bette Davis

Row #8: Leslie Caron, Joan Crawford, Catherine Deneuve, Elizabeth Taylor, Anne Bancroft

Row #9: Barbra Streisand, Jane Fonda, Raquel Welch, Jane Fonda, Liza Minnelli

Row #10: Barbra Streisand, Ellen Burstyn, Ronee Blakley, Faye Dunaway, Diane Keaton

Row #11: Jill Clayburgh, Bette Midler, Sissy Spacek, Faye Dunaway, Meryl Streep

Row #12: Julie Walters, Lily Tomlin, Cher, Chloe Webb, Glenn Close

Row #13: Susan Sarandon, Jessica Tandy, Anjelica Huston, Mimi Rogers, Emma Thompson

Row #14: Angela Bassett, Sigourney Weaver, Toni Collette, Brenda Blethyn, Pam Grier

Row #15: Cameron Diaz, Reese Witherspoon, Julia Roberts, Nicole Kidman, Diane Lane

Row #16: Diane Keaton, Imelda Staunton, Joan Allen, Dame Judi Dench, Marion Cotillard

Row #17: Anne Hathaway

See if you can guess the performance at home and if you're confused, just drop me a comment.

Best Actress Oscar Contenders: Christie vs. Jolie

Over the past couple of days I have caught up with a couple of Big Names competing for this years Best Actress Oscar: Julie Christie in Away From Her and Angelina Jolie in A Mighty Heart. Both actress are nominated for the Best Actress in a Drama Golden Globe and will be duking it out with Cate Blanchett, Jodie Foster and Keira Knightley.



I saw Christie first, so I'll start with her. While the film was, admittedly, kind of slow and Gordon Pinsett's quiet suffering got on my nerves, Julie Christie was fantastic. Where she could have went loud, overdramatic and "Look at me, I have Alzheimer's!", Christie is subtle but has enough fire that she doesn't become Nicole Kidman in The Hours boring. Even while she's slowly losing her mind, she is just as sexy as she was in Darling 42 years ago- that's something I thought I would never see. My favorite moment of her's has to be when she's watching the news and during footage of the Iraq War she utters, "Have they forgotten Vietnam?" Not only is it a haunting moment in the film, it scares the fuck out of me because even a woman with Alzheimer's can see the problems with the war.


Jolie, on the other hand, wants you to know that she isn't just playing Mariane Pearl, but she is also ACTING. Every gesture she makes, every accented word, every worried expression seems like a calculated attempt to prove that Jolie can act. Even that scene where Jolie finds out the fate of her husband is done more as a showcase for her to show us she's ACTING than because it fits in the film well. Her ridiculous screaming, which goes on for a minute straight, gets so awkward and overly-dramatic that all you can do is laugh at her. I don't know why she's trying so hard because we've already seen her do great work in Girl, Interrupted and last year's The Good Shepherd.