Thursday, August 16, 2012

100 Hot Men and a Dame: #79 Ryan Phillippe


79. Ryan Phillippe
Occupation: Actor
Nationality: American
Age: 37
Best Known For: Late 90s teenage heartthrob who grew up to become Mr. Reese Witherspoon for a time and a pretty decent actor (Stop-Loss).

The first of the Lost Entries of the 100 Hot Men and a Dame series makes its debut today! Perennial contributor Dave helps me out again to discuss DILF Ryan Phillippe. I'm presenting the post as it was originally written months ago, but it should be noted that I have now seen Cruel Intentions properly and not only is Ryan's ass damn fine but it's probably the crowning achievement of his acting career. Severely underrated.

Dame James: When did you first encounter Ryan and, if it wasn't love at first sight, when did you fall in love with him?

Dave: I first saw Ryan in Cruel Intentions. I was only 10 or 11 when it was actually released, but thankfully for my lustful hormones, I didn't see it until a few years later, which meant I FULLY appreciated him in it. I mean, that butt shot is still the talk of the gays over twelve years later! I mean, it may actually be the most perfect bum of them all, and you know I was going on about Rafa's when we discussed Andy Roddick (who also has a nice bum. OH GOOD LORD.). I know we're going into more cerebral reasons behind attractiveness here, or at least less shallow, but pure horny attraction to physicality is undeniably the driving force behind this countdown and well, with Ryan, it mostly is about the robust, muscular curves of his bottom and arms and chest and oh I'll be back in a moment...


ANYWAY. Looking at Ryan's filmography, he hasn't actually been in that many films of much interest - when The Lincoln Lawyer is your most prominent credit of the last three years, you can see he's lost interest in acting. But he was superb in Stop-Loss - finally proving that he has a vulnerability and depth to him, which was rather a revelation, although I'd wager that his cruel game-playing with Sarah Michelle Gellar in Cruel Intentions was almost as much of an acting coup, because not everyone can do it with such panache.

I'd also like to note how, despite the perfection of the arse circa-1999, Ryan seems to have really found his sweet spot around recent years. The behind might have been fine, but I always found him a bit off somehow - perhaps it was the Justin Timberlake hair. But photos in the past few years have just shown, to me, human perfection - a sculpted, relaxed face, strong shoulders, and a musculature that's not overdeveloped but still screams "MAN!"

DJ: I'm pretty sure I first saw him in Cruel Intentions in the severely edited version they show on TV, and I was never that into him. He was rather frail with features that were perhaps a touch feminine; in other words, he was a true teenage heartthrob. He also had that late 90's vibe around him which is great for nostalgia but maybe not the sexiest look ever. But perhaps if I had gotten a VHS copy and saw the butt scene for myself, maybe I would have come around on him sooner. I've still never seen the scene for myself, but I have seen stills, and Holy Jesus what a glorious ass! I love how it stands out and makes a statement against his (then) skinny frame. It's not ridiculously large but it's big enough that it makes you go "Dayummmm" every time you look at it.


It wasn't until the time of Stop-Loss that I realized I was attracted to Ryan. You talk about how this countdown is designed to discuss attractive men and what makes them so desirable beyond their surface features, and for the most part that's true. But when it comes to Ryan, there are no cerebral reasons why I'm attracted to him: it's pure, animalistic lust. He was fine in Stop-Loss and I'd wager as well he's probably a lot better than we ever gave him credit for in Cruel Intentions. But besides Igby Goes Down, where he really turns up the preppie rich boy machismo, there's really not much of note in his filmography. It's mostly a lot of mediocre rolls in would-be prestige pictures. Without the work to back him up, it's all about that ass. But I don't think this is necessarily a bad thing. It is better to be famous for something superficial than to not be famous at all.

D: That photo is absolutely transfixing. Yes, let's abandon pretense - I'm going to focus on the physical details. The nipples there are just so small and alive! The six-pack that isn't outrageously defined but enough that you know you could probably punch it and your hand would hurt. The vague stubble. And he's clearly in the middle of a 'fuck you' walk where he ignores everyone in his path. (I do those a lot. Sadly I never look like this while doing them.)

Looking at other photos, I think he really needs the stubble - he looks too small without it, a bit meek. I think it really gives him that extra swagger. I'm glad he figured out that the curls in his hair really don't suit as well - short back and sides really work here (hence the perfection of being cast as a soldier).

DJ: I believe that it was after he divorced Reese Witherspoon that he got super hot. I'm really starting to think she is the Devil in human form because she not only held him back from reaching his full hotness potential, but she also stunted Jake Gyllenhaal there for awhile. What is her problem, exactly? Do you think she doesn't get enough satisfaction from her millions and resorts to taunting us little people to pass the time?

D: Ryan and Reese were kind of a nice normal couple to look at while they were together, but I never really thought about them at all. And you're right, it really was once they split that he came to proper fruition. Almost as though she was holding him back in those teenage roles, so only when he broke away from that did he figure out he was all grown up. I don't know what it is about her, there must be something in that chin...

DJ: Once he ditched his late 90's pretty boy look, I think he truly discovered his sexiness. Which is a rarity, as only a select few men find their hotness peak as late in their career as Ryan did. I guess fatherhood and ditching the Pointy Chined One (seriously, her chin must have been named in the divorce suit as one of the causes for irreconcilable differences) really suited him in the looks department.

D: I see Ryan's going to be making a move usually reserved for prolific actresses and heading for TV - a guest spot on Damages! It probably would've be a better move if the show hadn't been forced to move channels, but I hear they can swear on DirecTV? So maybe he'll take off some clothing. I may have to catch up.

DJ: I had not heard he was appearing on Damages! How positively exciting! I haven't seen the fourth season yet, due to it moving to a channel I don't get, but I was absolutely enthralled with the first three seasons. And the show has a great track record with late 90's teen stars transitioning into sexy maturity, particularly in the second season when they had Matthew Davis and Timothy Olyphant (sigh) on the show. He's actually a brilliant choice for the show, as his penchant for preppie upper class snobs is a perfect fit for Damages. And if he's even half as sexy as Olyphant was on that show--and trust me, Damages objectified Olyphant brilliantly--then watching it will be time well spent.

Monday, August 6, 2012

Crazy 80's Project: Fame


"I'm gonna live forever!" cries a euphoric troupe of artistic high school kids during the chorus of Fame's legendary title song. Who would have guessed that 30 years later, even after an audience-pandering, dumbed-down, sanitized remake that this original easily takes a diarrhea dump on, Fame still feels as alive and relevant as it ever did? Starting with a ballsy script focusing evenly on a good dozen character, which, in its best moments, feels Altmanesque, Fame feels far more mature than nearly every high school film made before or after it. From the way the film lends credibility and urgency to the problems facing these teenagers, it's easy to see Fame's influence on the Brat Pack movies (most notably The Breakfast Club) later on in the 80's. But this maturity also contributes to the film's biggest weakness. Unlike The Breakfast Club, the problems plaguing these teens, revealed in long, dramatic monologues, are decidedly situations most teens will find hard to relate to. And to make things even more unrelatable, director Alan Parker films these monologues in highly self-conscious long takes, trying to make them High Art. Sure, this may make Fame more intriguing to adult audience members who aren't interested in the "petty" concerns of teens, but it takes the film out of its natural environment. A shame, really, as Fame thrives in this environment, appearing against all odds to live forever. B+

Thursday, August 2, 2012

Best Actress Bar Crawl

If Twitter is good for nothing else, it's a fantastic place to share silly ideas with people and watch them blossom into something completely different and unexpected. After watching her on a talk show being her fabulous, charismatic, over-the-top self, I innocently commented on Twitter that my dream in life was to go out drinking with Gabourey Sidibe. My birthday twin Will jokingly responded that we were free to meet him and Jennifer Lawrence for happy hour. This spawned its own conversation as we imagined this outing which somehow grew to include a party bus and Zayn and Harry from One Direction stopping by at some point. During this fun, however, a wonderful hypothetical question came to my mind: which recent Best Actress nominees would I like to go with on a one night bar crawl? In its own way, this is a great way to get to know people, whether they are your oldest friends or a complete stranger. You can certainly tell a lot about a person who would pick Meryl Streep and Kate Winslet over Catalina Sandino Moreno and Samantha Morton (anyone who picks Renée Zellweger is certainly not to be trusted). So, in the spirit of getting to know me better--as if my life isn't already an open book--here are the five Best Actress nominees since 2000 I'd love to have a drink with:


Gabourey Sidibe
If you've ever seen Gabby on a talk show, particularly the fast and loose Chelsea Lately, you will understand where I'm coming from on this one. This girl knows how to have a good time. Plus, she's admitted that she loves to drink and she's an endless fountain of 90s trivia. What can possibly happen with her except the best damn night of drinking ever?


Jennifer Lawrence
Yes, I'm stealing this answer from Will, but once he mentioned her, I knew she had to come along as well. Jennifer may seem like an odd choice as she usually appears to be Ms. Serious Actress after Winter Bone and The Hunger Games. As with Gabby, though, if you have seen her on a talk show, you will know that this girl knows how to have fun. Besides, how can you say no to a woman who will photo bomb her own boyfriend:


I rest my case.

Anne Hathaway
As one of the only three women I would switch teams for (Penelope Cruz and Christina Hendricks being the other two), it's only fitting that I invite Anne along so that maybe we can drunkenly make out a little bit. And, unlike Penelope, there won't be any language barrier, so she'll get to be her fun, witty self all night long (Although I like to imagine that Penelope speaks better English when she's drunk).


Helen Mirren
This bitch may be 67 years old, but you know she would be able to drink everyone in the bar under the table and still be classy/sexy enough to make out with someone a third her age without looking like a desperate, pathetic cougar. God bless this Dame.


Sandy Bullock
Who else besides Sandy, with her trademarked deadpan sense of humor, is going to make fun of the losers all around us at the bar with me? If we go to the gay bar in my town, we will definitely more than enough targets to launch our barbs on.

Now, more importantly, which lovely ladies would you pick?

Sunday, July 22, 2012

The Sandy Bullock and Melissa McCarthy Buddy Cop Movie

I still remember my reaction when I first heard about The Heat, the upcoming Sandra Bullock/Melissa McCarthy buddy cop movie, as clearly as if it happened yesterday. I was on break at work, praying for a quick death to end my misery. You see, the night before, I had gone out to celebrate my birthday and this Dame had a little bit too much to drink. I was so hungover that, thirty minutes before I had to be in, I could barely move from my couch. Miraculously, I somehow made my way to work--on time, mind you!--only to find out as soon as I got in that I had to go out in the hot sun and get carts. So, by the time my break rolled around, I was not a happy camper. But then I got a Twitter notification from Will on my phone: Sandy Bullock and Melissa McCarthy are doing a buddy cop movie together. To this day, I'm not sure if it was because of my sickness, the heat or a surprise surge of hormones, but I damn near cried reading that. Yes, in the middle of the breakroom, I nearly cried over the vaguest of film plots and casting news. Have I reached a new level of cinephilia?

The reason I mention all this is because photographic evidence that this movie is actually going to happen and isn't just some cruel practical joke the world is playing on me has (finally) turned up:


Holy fuck. I was already sold before this, but now I want to have nasty sex with this picture. They are such badasses. As I said on Twitter, I am so excited for this movie I could cry, vomit and shit my pants all at the same time.

Every since the day I heard about this movie, I prayed and prayed to Oprah that the casting wouldn't fall through and we'd be stuck with Katherine Heigl and Octavia Spencer. Because, in all honesty, the main reason I'm excited for The Heat is because of Sandy and Melissa. With anyone else, this would barely be worth tweeting about. But Sandy and Melissa are so dear to me on their own (we all remember how hard I stanned for them in the respective years they were nominated for Oscars) the thought of them together is almost too much for me to handle. They have such wildly different comic personas--Sandy is simultaneously self-deprecating and goofy while Melissa's style is more balls-to-the-wall, in-your-face improv--I'm eager to see how well they work together. And with Bridesmaids director Paul Feig in their corner, I feel like this one will be hard to fuck up.

Wednesday, July 18, 2012

100 Hot Men and a Dame: The List

Remember my 100 Hot Men and a Dame series? The one I started nearly a year ago but, last time I checked, stalled out at #84? Yeah, I wouldn't blame you if you have forgotten. The last entry was published all the way back in March (another reminder of just how time flies). Since my blogging has slowed down considerably this year due to other projects I'm working on (namely that screenplay I keep yammering on about every chance I can on Twitter), there's a good (read: 99.9%) chance that I'll never finish the series. Sad, I know, but hold on a second. There is good news ahead! With this being the case, I have decided that there is no harm in posting my closely-guarded, ranked list of my 100 hot men. Considering the fact that I would make numerous changes to this list, not to mention add all of the hotties (Zayn! Josh Hutcherson!) who would easily make this list today, I think it's all the more important to share the original list just to see where my head was back in August 2011. Links to the original entries are in pink, as will future entries when they are posted (I have a few entries that were written out of order ages ago chilling on my dashboard, ready to be posted any time now). As always, enjoy the list and let me know what you think of the choices all the way down to the (inevitable) number one.


83. Warren Beatty
82. Gene Kelly
81. Jonathan Rhys-Meyers

80. Daniel Craig
78. Henry Fonda
77. Hurts (Theo Hutchcraft & Adam Anderson)
76. Patrick Wilson
75. Chris Meloni
74. River Phoenix
73. Ricky Nelson
71. Tom Brady

70. Tom Hardy
69. Steve McQueen
68. Simon Nessman
67. John Cena
66. François Truffaut
65. Nick Youngquest
64. Daniel Brühl
63. Prince Harry
62. John Slattery
61. Chris Pine

60. Ryan Gosling
59. David Beckham
58. Joe McElderry
57. Taye Diggs
56. Jon Hamm
55. Taylor Lautner
54. Armie Hammer
53. Hugh Jackman
52. Anderson Cooper
51. Robert Redford

50. Gaspard Ulliel
49. Joel McCrea
48. Lee Pace
47. Xavier Samuel
46. Sebastian Stan
45. Clive Owen
44. Cary Grant
43. Dominic Cooper
42. Joel McHale
41. Francisco Lachowski

40. Gael Garcia Bernal
39. Louis Garrel
38. Nick Jonas
37. Tom Ford
36. Sam Rockwell
35. Jamie Bell
34. Rupert Graves
33. Neil Patrick Harris
32. Richard Widmark
31. Mark Wahlberg

30. Mark Ruffalo
29. Penn Badgley
28. Kris Allen
27. Brad Davis
26. Alain Delon
25. Justin Timberlake
24. James McAvoy
23. Aaron Tveit
22. Joseph Gordon-Levitt
21. Marcello Mastroianni

20. Marlon Brando
19. Robert Downey, Jr.
18. Chad White
17. Paul Newman
16. Anthony Perkins
15. Gary Cooper
14. Buster Keaton
13. Adam Brody
12. Montgomery Clift
11. Dirk Bogarde
  

 
10. Channing Tatum

09. James Marsden

08. Jean-Paul Belmondo

07. Nicholas Hoult

06. Andrew Garfield

05. James Dean

04. Michael Fassbender

03. Jean-Pierre Léaud

02. Jake Gyllenhaal

01. Zac Efron

Sunday, July 15, 2012

2011 Diva Cup Awards: The Oscar Categories

Best Picture
Beginners
Bridesmaids
Drive
Hanna
Young Adult

Best Actor
Dominic Cooper, The Devil's Double
Michael Fassbender, Shame
Mel Gibson, The Beaver
Ryan Gosling, Drive
☆Ewan McGregor, Beginners

An extremely tough decision between two star-making performances from Fassbender and Gosling, a dynamic duet of good and evil from Cooper and what should have been Gibson's return to the top. But McGregor sneaks past them all with his carefully constructed performance, delicately and intricately balanced between comedy and drama.

Best Actress
Juliette Binoche, Certified Copy
Kirsten Dunst, Melancholia
Tilda Swinton, We Need to Talk About Kevin
☆Charlize Theron, Young Adult
Kristen Wiig, Bridesmaids

Can you think of another performance where we are supposed to be simultaneously disgusted by a character's self-delusion and narcissism, yet, against all odds, find tiny bits of ourselves among the acid-tongue barbs and Diet Coke chugging? Oscar-winner Theron "slumming" it in a comedy is anything but.

Best Supporting Actor
Armie Hammer, J. Edgar
Jeremy Irons, Margin Call
Nick Nolte, Warrior
Chris O'Dowd, Bridesmaids
☆Christopher Plummer, Beginners 

For years and years, people have been going on about Plummer getting a career Oscar. I'm just glad that he won for something so well deserved as his work in Beginners. Like McGregor, he does a masterful job juggling the sly comedy of the script with the profound sadness that hangs over all the characters.

Best Supporting Actress
Rose Byrne, Bridesmaids
Mary Page Keller, Beginners
Mélanie Laurent, Beginners
☆Melissa McCarthy, Bridesmaids
Amy Ryan, Win Win

You don't even notice until long after the credits roll that Melissa McCarthy has indeed stolen Bridesmaids from everyone around her. McCarthy's balls-out, take-no-prisoners style of comedy is used to full effect and certainly grabs everyone's attention (Let us never forget that her Oscar clip is the "steamy undercarriage" moment!). But I suspect what really seals the deal for her is her final one-on-one moment with Wiig's Annie, a could-have-been schmaltz fest turned on its head by McCarthy's energy and heart.

Best Director
☆Mike Mills, Beginners
Asif Kapadia, Senna
Abbas Kiarostami, Certified Copy
Nicolas Winding Refn, Drive
Joe Wright, Hanna 

Best Original Screenplay
☆Diablo Cody, Young Adult
Abbas Kiarostami, Certified Copy
Leon Ford, Griff the Invisible
Mike Mills, Beginners
Annie Mumolo & Kristen Wiig, Bridesmaids

I've already gone on and on about Young Adult's ending--still a marvel--but there is so much to be appreciated in Cody's script. From its economy (a compact 95 minutes), to the way it captures chronic unhappiness and dissatisfaction without making Mavis a caricature, to the way it makes even minor characters in The Mavis Gary Show human and interesting (a Cody specialty), Young Adult is another huge step forward for Diablo Cody as the premiere screenwriter of her time. She is a voice of a generation.

Best Adapted Screenplay
Austín Almodóvar & Pedro Almodóvar, The Skin I Live In
☆Hossein Amini, Drive
Dustin Lance Black, J. Edgar
Bridget O'Connor & Peter Straughan, Tinker Tailor Soldier Spy
Bryan Singer & Sheldon Turner (Story); Jane Goldman, Ashley Miller, Zack Stentz & Matthew Vaughn (Screenplay), X-Men: First Class 

Best Cinematography
Drive
Hanna
Melancholia
The Skin I Live In
Tinker Tailor Soldier Spy 

Best Editing
Certified Copy
Drive
Hanna
Shame
Senna 

Best Costume Design
Jane Eyre
Immortals
The Skin I Live In
X-Men: First Class
Young Adult 

Best Art Direction
The Artist
Hanna
Immortals
The Skin I Live In
Tinker Tailor Soldier Spy 

Best Score
The Artist
Drive
Hanna
Rio
Winnie the Pooh 

Best Song
The Muppets: "Pictures in My Head"
Winnie the Pooh: "The Backson Song"
X-Men: First Class: "Love Love"

Best Sound
Drive
Hanna
Jane Eyre
Rise of the Planet of the Apes
Shame 

Best Makeup
Contagion
The Iron Lady
The Skin I Live In 

Best Visual Effects
Hugo
Rise of the Planet of the Apes
X-Men: First Class 

Saturday, July 7, 2012

A Look at the 2012 VMAs Best Female Video

Last year, I took a look at what I thought would be potential nominees for Best Female Video at the VMAs. Surprisingly, I did quite well, picking four of the eventual nominees out of the top seven while surprise nominee Beyoncé for "Run the World (Girls)" was highlighted towards the bottom of the list (before the video had even premiered!). The other night I was thinking of that post and decided to try again to come up with what I thought this year's race might look like. Not sure if I can match my predictions last year, but let's give this a shot and see what happens.

The Top 5:

Katy Perry "Part of Me"
4 Noms/0 Wins
In Her Favor: After two years, six #1's and a 3D concert movie, the Teenage Dream Era is coming to an end. Can you think of a more fitting farewell to Katy's immense success than with another nomination here?
But: Nothing. She's in.

Rihanna "We Found Love"
2 Noms/1 Win
In Her Favor: Rihanna manages to pump out hit after hit, but "We Found Love" was her biggest song since "Umbrella." Plus, "We Found Love" is without a doubt her best video to date.
But: Only two nominations? As big of a star as Rihanna should have more.

Kelly Clarkson "What Doesn't Kill You (Stronger)"
3 Noms/2 Wins
In Her Favor: Sometimes all it takes is a #1 hit like this to remind everyone why we fell in love with Kelly in the first place. Girlfriend already has two wins so they clearly love her.
But: Is she "hip" enough for MTV in these days of Katy Perry and Teen Wolf?

Nicki Minaj "Starships"
1 Nom/0 Wins
In Her Favor: Having just notched its 20th week in the Top 10, the song has proven to have massive staying power.
But: Does anybody remember the video? Like, at all?

Lana Del Rey "National Anthem"
0 Noms
In Her Favor: This is my No Guts, No Glory pick. This line-up is in clear need of a Critical Darling. Although Lana is not quite as huge as Adele, last year's Darling, is, she does have a rabid fanbase who were salivating over her material even before her Born to Die album came out. She seems like a long shot, but every once in awhile this category does embrace lesser-known artists with great, buzzworthy videos.
But: This only happens every once in awhile. As odd as it sounds, she probably has a better shot in the Video of the Year category, which is much more open to artistic videos like "National Anthem."

In the Running:

Lady Gaga "Marry the Night"
4 Noms/2 Wins
In Her Favor: I know I sound crazy for betting against Gaga, considering her rabid fanbase who are only out-crazied by the Beliebers. And this video was everything those fanatics could have possibly wanted from an artiste like Lady Gaga.
But: Come on. For an artist who has made a living off turning everything about her persona into pretentious bullshit, this fourteen minute, ultra serious video exploring the inner torment of Gaga The Person was Pretentious Bullshit.

Carly Rae Jepsen "Call Me Maybe"
0 Noms
In Her Favor: A zeitgeist hit...
But: ...That's only mildly less trashy than Rebecca Black's "Friday." More likely than not, expect her to pop up with One Direction in the Best New Artist category.

Madonna "Give Me All Your Luvin'" OR "Girl Gone Wild"
12 Noms/4 Wins
In Her Favor: In very different ways, these two videos have proven why Madonna is still the undisputed Queen of the Music Video.
But: The Gays have completely turned on her. If they don't care, why will MTV?

Britney Spears "I Wanna Go" OR "Criminal"
5 Noms/1 Win
In Her Favor: "I Wanna Go" and "Criminal" were both far better videos than the previous Femme Fatale singles produced.
But: I read somewhere that "I Wanna Go" debuted on the cutoff date for last year's VMAs. I refuse to believe this as that masterpiece received zero nominations while the mediocre "Till The World Ends" nabbed her a Best Pop Video trophy. And if she couldn't get a Best Female Video nomination with that massive track, I doubt either of these songs has the legs to get her there this year.

Jessie J "Domino"
0 Noms
In Her Favor: For better or worse, her loud, painted on jumpsuits were certainly eye-catching in this video.
But: Despite the fact that this song was a hit in the U.S., I still don't feel like she's that big over here. Do you ever hear people talking about her (well, I mean, despite complaining about her singing/wailing)?

Never Say Never:

Demi Lovato "Give Your Heart a Break"
0 Noms 
In Her Favor: With her upcoming X-Factor gig, people are finally taking notice and trying to make her happen.
But: I don't think it's her moment yet. We'll see where she's at after X-Factor debuts this fall.

Cher Lloyd "Want U Back"
0 Noms 
In Her Favor: Against all odds, it appears that she's crossing over into America.
But: She's only just hit the Top 40 here. And if Carly Rae doesn't make it, Cher certainly won't.

Dev "In the Dark"
0 Noms 
In Her Favor: An ubiquitous singer with her own big hit.
But: The song is nearly a year old; has her Moment passed already?

Friday, June 29, 2012

Crazy 80's Project: When Harry Met Sally...


If, for any reason, When Harry Met Sally... feels familiar structurally or character-wise, let me start off by saying that it's not because the film is any less fresh or funny than it was upon its release. If anything, it's because nearly every romantic comedy of the 90's--before the genre became a joke to more than just film snobs--borrows heavily from the recently deceased Nora Ephron's brilliant script. Unlike Wiig & Mumolo's Bridesmaids, which punctuates sadness with ridiculously, gloriously, over-the-top comedic set pieces, Ephron's script punctuates sadness with a calmer, more realistic comedic style. You won't find Meg Ryan shitting in a sink, but you will see an equally well-orchestrated scene where Harry and Sally, the morning after jeopardizing their friendship by sleeping with each other, call their married friends for advice. Outlandish, no. But it's just as well constructed as any scene in any comedy of the last 20 years. This is what When Harry Met Sally... does best, though, finding depth and humor in the most common places, whether that's over a game of Win, Lose or Draw or having lunch in a crowded restaurant while discussing their sex lives. Crystal and Ryan also find surprising amounts of character through their romantic comedy "types" (he is the wisecracker who hides behind sarcasm, she is perky and optimistic with the slightest hint of neuroticism underneath the surface). They have great chemistry together and make it believable that these two would make the journey from friendship to something more. When Harry Met Sally... never set out to reinvent the wheel, nor does it ever, but, like It Happened One Night five decades before it, the film reinvented the romantic comedy subgenre and forever changed how we saw them afterwards. A-

Half-Way Report for 2012

Best Film

01. The Cabin in the Woods (Drew Goddard)
This movie was so fucked up on so many levels, I have no idea where to even begin. The film balances dark humor and horror as well as Scream, albeit in a less self-referential way. But the real kicker is that finale which throws everything at the wall. It probably shouldn't work so well, but I found myself endlessly fascinated (and simultaneously horrified) by the spectacle.

02. The Hunger Games (Gary Ross)
03. 21 Jump Street (Phil Lord & Chris Miller)

Best Performance

01. Jennifer Lawrence, The Hunger Games
Like Crazy is the film that turned me into a J. Law fan. The Hunger Games is what turned that love into an obsession. We all knew she could do tough, extremely focused characters--a prerequisite for Katniss Everdeen that no other young actress in Hollywood can even come close to matching Lawrence in--but The Hunger Games shows different facets of J. Law's personality that we've really only seen from her on the promotion trail. In a few moments, usually opposite Josh Hutcherson (also perfectly cast: a kid actor playing an eager-to-please contestant who knows how to get people to like him), she showed a charm and comic timing usually only seen from her on talk shows. And the flaming dress she wears while riding into the Capitol matches the fire bomb sexpot we saw at the 2010 Oscars when she wore that va-va-va voom red Baywatch dress. If we hadn't already seen it before, The Hunger Games proves that Jennifer Lawrence is the already the best actress of her generation.

02. Channing Tatum, 21 Jump Street
03. Armie Hammer, Mirror Mirror

Best Rental

01. History is Made at Night (Frank Borzage)
Married to a neurotic, possessive millionaire, Jean Arthur flees and falls in love with a charming Charles Boyer. Borzage, a well-kept secret of the studio era, keeps what could have been a farfetched, hand-ringing melodrama subtle and low-key, while Arthur, best known today for her Capra comedies, proves that she was as versatile an actress as any of her more well regarded contemporaries.

02. Metropolitan (Whit Stillman)
03. Possession (Andrzej Zulawski)
04. When Harry Met Sally... (Rob Reiner)
05. Sadie Thompson (Raoul Walsh)

Best Song

01. Lana Del Rey "Off to the Races"
Any initial skepticism I had about Ms. Del Rey was quickly erased after hearing this song. Lush, incredibly rich, and emotionally devastating, "Off to the Races" is five minutes of beautiful catharsis.

02. Nicki Minaj "Starships"
03. Dragonette "Let It Go"
04. Demi Lovato "Give Your Heart a Break"
05. Avicii "Levels"

Best Album

01. Justin Bieber, Believe
The teen sensation wisely matures while keeping an eye on the young fans who got him where he is. Easily the best teen pop album since Miley's Can't Be Tamed (and a perfect counterpoint on how to grow up from your teenage fandom without completely alienating them at the same time).
 
02. Madonna, MDNA
03. Kris Allen, Thank You Camellia
04. Lana Del Rey, Born to Die
05. fun., Some Nights

Best Music Video

01. One Direction "One Thing"
With music video budgets, especially those of young, up-and-coming artists, continuously getting slashed, artists have to be creative with the little money they have. None of One Direction's video have been what you'd call "big budget," but with "One Thing," they have finally found the perfect outlet to display their massive personalities. Punctuated with tiny, adorable moments (the choreographed "dance", Zayn's adorable head bob behind Louis), the "One Thing" video succinctly shows the One Direction boys as the adorable, ridiculous fellas we know them as.

02. Carly Rae Jepsen "Call Me Maybe"
03. Foster the People "Color on the Walls (Don't Stop)"
04. Madonna "Girl Gone Wild"
05. Madonna featuring M.I.A. & Nicki Minaj "Give Me All Your Luvin'"

Hottest (New) Guys

01. The Teen Wolf Boys
There's a reason "Have sex with all of the Teen Wolf boys" is number three on my bucket list.

02. Drake
03. Cody Rhodes
04. Jeremy Irvine
05. Clint Mauro