Top 100 Songs of the 2000's: #20-1

Previous installments: #100-81 #80-61 #60-41 #40-21

20. Jessica Simpson 'I Think I'm In Love With You'
2000. From Sweet Kisses.

Of the four teen pop princesses who emerged in 1999-2000, Jessica Simpson (along with Brit, Xtina and Mandy Moore) gets the least amount of respect these days. I find it a shame that she's nothing more than tabloid fodder because underneath all of the Newlyweds, "dumb blonde" foolishness, there's a legitimate talent. When she gets a great pop song, she nails it (see also: 'A Little Bit,' 'With You,' 'Irresistible'). 'I Think I'm In Love With You,' sampling the fantastic hook from John Cougar Mellencamp's 'Jack & Diane,' is the perfect pop song, the embodiment of how I want to feel when I fall in love with someone. I want to sing that big note without a care in the world. One more than one occasion I've said that I love this song more than nearly every member of my extended family; it's still true and probably always will be.



19. Leona Lewis 'Run'
2008/9. From Spirit.

My only gripe with Britpop of the 2000's, a decade which saw the Brits deliver consistently more clever and creative pop music than us lazy Americans, is the way they constantly cover pop songs that had no business being covered (and the fact that they get to #1 again and again at an alarming rate). Just think of all Christmas #1's, X-Factor finalists/winners and charity singles that hit the top of the chart and then were quietly forgotten two weeks later. One of the very few exceptions to this rule is Leona Lewis's 'Run,' a cover of Snow Patrol's so-indie-it-hurts ballad. Leona turned this dire song into one of the biggest and most emotive power ballads since Celine Dion's heyday. Now, this how you cover a song.



18. Lady GaGa 'Bad Romance'
2009. From The Fame Monster.

A future classic. 'Bad Romance' is the moment everyone realized that GaGa wasn't fucking around.









17. Robyn featuring Kleerup 'With Every Heartbeat'
2008. From Robyn.

Whenever I hear some annoying twat complain about how shallow pop music is (especially in comparison with whatever precious indie shit they adore), I, first of all, want to shake them. After that, I would tell them to listen to Robyn's 'With Every Heartbeat,' a searing, unconventional portrait of a broken heart that is unashamed of its pop roots. The way she repeats "And it hurts with every heartbeat" over and over at the end is more emotive and real than all of your "real" music put together.




16. Destiny's Child 'Say My Name'
2000. From The Writing's on the Wall.

America's premiere girl group bounced right back from the nasty departure of two of its members with 'Say My Name,' the song that solidified their then-burgeoning fame. I simply adore the way this song plays around with tempo and pacing, oscillating back and forth, constantly surprising with what's coming next. Bonus points for that iconic music video--which girl's room do you want to be in?





15. Justin Timberlake featuring Timbaland 'SexyBack'
2006. From FutureSex/LoveSounds.

This song should have gotten old quickly. Thankfully, it hasn't. I can still listen to JT's sexy growling and Timbaland's constant "Yup!" and never get sick of it.








14. Beyoncé featuring Jay-Z 'Crazy in Love'
2003. From Dangerously in Love.

I don't fall head over heels in love with a song on first listen, but 'Crazy in Love' had me right from that opening trumpet wail. Beyoncé always had star power--'Crazy in Love' just proved that she had the ability to take over the pop world. Seven years later, we are still captivated by her.






13. Leona Lewis 'Bleeding Love'
2008. From Spirit.

My God, those lyrics! I simply can't get over how rich, emotive and surprisingly dark they are, even after hearing this song approximately 1400 times since its American debut in the spring of 2008. But this isn't the song's sole claim to success. Jesse McCartney, one of the song's co-writers, sang a version of it, but it never worked for me. Leona has this amazing knack to emote on my exact emotional level at all times. She turns 'Bleeding Love' from a great poem to an amazing musical experience.





12. Girls Aloud 'Sexy! No No No...'
2007. From Tangled Up.

The first Girls Aloud song I ever heard. What a way to start, hm? I love the absolutely relentless beat that gets heavier and heavier as the song moves along. It's so f-ing addictive, and I'm sure it is what made me a Girls Aloud convert right from the get-go (the insane punctuation in the song title sure didn't hurt either).






11. Mariah Carey 'We Belong Together'
2005. From The Emancipation of Mimi.

The moment America seemed to remember how much they truly loved Mariah after all those years of calling her crazy and washed up. I loved Mariah, even during those dark years (I still think Charmbracelet is an underrated album), but 'We Belong Together' reaffirmed those feelings like a renewal of marriage vows. A couple times a year, some R&B songstress tries to come out with a smooth R&B slow jam and try to out-Mariah Mariah. A couple times a year, those songs fail. No one does 'We Belong Together'-style balladeering better than the originator.





10. Kylie Minogue 'Love at First Sight'
2002. From Fever.

The idea of "love at first sight" is technically not a very groundbreaking concept in pop music. With 'Love at First Sight,' however, Kylie is able to capture that emotion like it was a startling breakthrough. In much the same way 'I Think I'm In Love With You' does, 'Love at First Sight' relates an idea or feeling that you hope to experience someday. Only pop music, I feel, has the power to take some emotion so mundane and make it completely zesty.




9. Ciara 'Like a Boy'
2007. From The Evolution.

Ciara stands up to all the wannabe gangsters and tough thugs in one of the cleverest take downs of this decade's rap culture...and no one pays attention. Sigh.







8. Missy Elliott 'Work It'
2002. From Under Construction.

This may not be Missy's most accomplished jam (which sounds like complaining about your least favorite track on Blackout), but it's the one I'm most fond of even after all these years. 'Work It' is Missy at the height of her powers, when she was making music for herself and having a damn good time doing it. The great thing was, everyone else was enjoying it too. 'Work It' was popular among my group of friends in high school, and I remember often talking about how insane and in-your-face this song is--especially that epic lyric in reverse during the chorus.






7. Amy Winehouse 'Rehab'
2006/7. From Back to Black.

Come back to the music world, Amy Winehouse, Amy Winehouse. This place simply isn't the same since your hasty, drug-induced departure. Who else but Amy Winehouse can make a song about refusing to get help for a drinking problem so beautiful and every so slightly sad at the same time (maybe Ke$ha, but less enthusiastically and soulfully)? I will never give up on this woman and her eventual re-ascension to the top of the music world.





6. P!nk 'Just Like a Pill'
2002. From M!ssundaztood.

P!nk's rebellious attitude had become her stock in trade by the time she released this single. Never before had she dabbled in such a dark, eerily moody place as she does in 'Just Like a Pill.' This song is often remembered only as a footnote after the twin mega-successes of 'Get the Party Started' and 'Don't Let Me Get Me,' but 'Just Like a Pill' stands on its own merits and showed the world a side of P!nk that hadn't been seen before.





5. Sugababes 'Push the Button'
2005. From Taller in More Ways.

The sexiest song ever recorded. I wasn't convinced at first, but now I want to make babies to this song.










4. Eve and Gwen Stefani 'Let Me Blow Ya Mind'
2001. From Scorpion.

The best example of post-Spice Girls "Girl Power." Rock and rap collide in this piercing take down of celebrity-hungry culture and rappers more concerned with bling than writing good rhymes. If only more people had paid attention to Eve's warning back in 2001, maybe we wouldn't have had to endure Souljaboy.

P.S. I know every word to this song. It's probably the only rap song I can say that about.





3. Kelly Clarkson 'Since U Been Gone'
2005. From Breakaway.

I'm sure this song is near the top, if not at the top, of everyone else's best of the decade list. But when a song has proven this influential (for good or for bad) and this monumental in such a short span of time, there's nothing left but to give it due credit and follow consensus. Never have I been happier to follow a trend.





2. Girls Aloud 'Biology'
2005. From Chemistry.

I still remember the moment when I realized 'Biology' was one of the greatest songs I had ever heard. I was driving home from work one random night, listening to my Girls Aloud mix CD. I had always liked 'Biology,' but something happened with the song that gave me chills. As weird as it may sound, I felt like I was having some grand epiphany of sorts. This is what pop music is about.

I love the way 'Biology' keeps on playing with your expectations without you even realizing it. The structure doesn't follow the typical verse/bridge/chorus we've come to expect from a three and a half minute pop song. Then, there's the way the first verse builds up to a heated, sexual frenzy, pausing more seductively with each "Closer," only to, for lack of a better expression, give you blue balls with the abstinence-friendly second verse. How many songs do you know that can take you up and then take you down like that all in a matter of seconds?




1. Nelly Furtado 'Say It Right'
2007. From Loose.

Surprised that a semi-serious song from everyone's favorite Canadian warbler is my favorite of the entire decade? I was rather surprised myself when I sat down to make this list that I kept coming back to this one as the song I felt most strongly about, the one that defined the whole decade for me. 'Say It Right' is a perfect, and admittedly strange, combination of mid-90's hip-hop, Eurthymics-style 80's synth pop, late 2000's American pop and East Asian zen. Add to that conflicting pile of influences the fact that I, nor even Nelly herself, knows exactly what this song is about or trying to be about. That hardly matters in the long run, though. When you have a song as mysteriously vague as 'Say It Right,' it's more fun trying to dissect its meaning rather than knowing straight off. For this reason (plus the fact that it's compulsively listenable), 'Say It Right' is officially my favorite song of the 2000's.

Top 100 Songs of the 2000's: #60-41

Previous installments: #100-81 #80-61

60. Amy Winehouse 'Back to Black'
2007. From Back to Black.

If 'Rehab' was the song to show the world exactly who Amy Winehouse was, 'Back to Black' proved that she was, first and foremost, a musician. Winehouse, the closest the 2000's could ever refer to as a torch singer, reveals layers of hurt and devastation in the deceptively simple lyrics in ways unmatched by anyone. 'Back to Black' is definitive proof that a world without Amy Winehouse is one that is simply unlivable.




59. T.A.T.U. 'All the Things She Said'
2003. From 200 KM/H in the Wrong Lane.

Can you name a better pop song by two Russian lesbians about coming out of the closet? I didn't think so. Long after the novelty of the rampant lesbianism wore off, the song remains one of the strongest pop songs of the decade. 'All the Things She Said' is proof that pop songs can be about more than just dancing, love and having a good time.





58. Shakira 'Underneath Your Clothes'
2002. From Laundry Service.

The perfect Shakira song. 'Underneath Your Clothes' combines everything we love about her into an amazing 3 minute and 45 second package: her trademark odd, almost indescribable lyrics, her inimitable vocal warble which is both unusual and beautiful at the same time and a divalicious nature that still allows her to be humble (like her breasts) and approachable. Shakira is truly one of a kind in today's pop culture.





57. Destiny's Child 'Survivor'
2001. From Survivor.

Suppose you are an R&B girl group, recently crossing over to Top 40 in a major way, and you have just undergone your second major lineup change in a year. How on Earth do you combat the haters who think you are over before you even begin? Well, if you're Beyoncé, Kelly and Michelle, you come out with a hot track aimed right at the haters to stop them right in their tracks. My love for Pop Songs as Personal Expression can be traced back to this one and few have gotten even close to matching it.




56. O-Town 'All or Nothing'
2001. From O-Town.

Forget NSYNC and the Backstreet Boys, O-Town was by far the greatest boy band of the decade (To be fair, however, it's like comparing finding dog shit in your living room to finding dog shit in your bedroom). Lyrically, there's nothing much to celebrate about 'All or Nothing,' but the boys really sell the song, turning it into one of my favorite shout-worthy power ballads.






55. Christina Aguilera 'Come On Over Baby (All I Want Is You)'
2000. From Christina Aguilera.

The album version of this song is blah, but the radio edit makes up for it tenfold. And there's no denying the iconographic music video; I still think about the white outfit Christina wears in the video.







54. Ms. Jade featuring Timbaland and Nelly Furtado 'Ching Ching'
2002. From Girl Interrupted.

In a decade where Timbaland made the enormous jump to the mainstream, it's still a shame that one of his best efforts remains largely forgotten amid his larger hits. Amid an insane, alliterative Furtado background vocal, 'Ching Ching' largely plays out like a classic he said/she said song. Timbaland's verse is strong but Ms. Jade dominates, angrily lashing out against all the "gangsta" bullshit she had to put up with while wearing the "wifey and mother/cousin, sister and brother/accountant, lawyer and lover" roles in the relationship. She may have been treated like a second-class citizen in the relationship but she'll be damned if he gets away with it.





53. iio 'Rapture'
2002. From Poetica.

This song makes me want to buy a pacifier, take some E and dance at a rave for 14 hours straight like I'm Andrew Garfield in Boy A.








52. Kylie Minogue 'The One'
2008. From X.

A typical love ballad done up in an atypical up-tempo, electropop manner which only heightens the emotions and beauty of the song. 'The One' is another game-changer from Kylie, proving that after 20 years at the top she is still willing to experiment a bit and find ways to expand her sound to unparalleled heights. I have a feeling this will be a song more people will be talking about into the next decade.






51. Alphabeat 'Fascination'
2008. From This is Alphabeat.

"They're like an edgier Same Difference!" was my first reaction to Alphabeat when Dave introduced them to me earlier this year. It was love at first listen for me; their carefree, neo-80's sound was right up my alley from the beginning. 'Fascination,' like the lyrics suggest, is pure exaltation. Why someone hasn't used this song in a dance montage in a movie yet remains a mystery to me.





50. Girls Aloud 'Untouchable'
2009. From Out of Control.

When someone called Girls Aloud's nearly seven minute long epic 'Untouchable' this generation's 'Bohemian Rhapsody,' they were not exaggerating one bit. 'Untouchable' is the epitome of the surreal electropop the Girls explored heavily on their Out of Control album. The raping of the beauty and ballsiness of this song at the hands of the three and a half minute radio edit remains one of the greatest tragedies of the decade. What should have been an easy #1 hit became the Girls first single to land outside the Top 10. Oh well. The public has proven time and time again incapable of recognizing genius when it is delivered to them on a silver platter. 'Untouchable' will forever be a fan favorite and one to remind us of the riskiness of pop music.




49. The Killers 'When You Were Young'
2006. From Sam's Town.

"He doesn't look a thing like Jesus/But he talks like a gentleman." If you don't like this lyric, there's really no hope for you.











48. Mya 'Case of the Ex'
2000. From Fear of Flying.

I will admit that with Mya's diminishing status as a popstar (or even a star at all), I'm not as crazy about this song as I once was. But nostalgia is a bitch sometimes and I have to give props to 'Case of the Ex,' which is still a damn catchy number and an important song from my awkward junior high period.






47. Britney Spears 'I'm a Slave 4 U'
2001. From Britney.

Oh that Britney. If there's one thing she knows how to do extremely well, it is inciting controversy and 'I'm a Slave 4 U' was her masterpiece in that regards. Remember the shit storm that erupted simply from the title leaking? What is easily forgotten is that 'I'm a Slave 4 U' is one of her best songs, a fantastic early example of the hip hop/pop hybrid that quickly dominated the decade. Plus, I must admit that somewhere there is videotaped evidence of me doing a really awkward and embarrassing dance to this song. Yes, there is a boa involved as well.





46. ATC 'Around the World (La La La La La)'
2000. From Planet Pop.

When so many songs I absolutely loved in junior high sound like complete shit ten years later, it is refreshing to find a song, especially one as niche as 'Around the World,' that is just as strong, if not stronger, than it was back in the day.







45. Pussycat Dolls 'Stickwitu'
2005. From PCD.

If the gays are ever allowed to marry, this will for sure be my wedding song. 'I Hate This Part' is probably a stronger ballad overall, but there's something about the cheesiness of the lyrics combined with the alarmingly anti-feminist tone of the song (I'm not going to find anyone who will love me more than you so I guess I'll just keep on dating you) that has me hooked every damn time.






44. Danity Kane 'Damaged'
2008. From Welcome to the Dollhouse.

I tried to resist since Danity Kane is nothing more than a second-rate knock off of the Pussycat Dolls, but I'll be damned if I couldn't get this song out of my head the entire summer of 2008. If that's not the sign of a perfectly done pop song, I don't know what is.







43. Christina Aguilera, P!nk, Lil' Kim and Mya 'Lady Marmalade'
2001. From Moulin Rouge! Soundtrack.

In a new era when singers collaborate with other pop singers or rappers and every other single, will the world ever witness a collaboration as epic as the one assembled for this cover of the disco classic. I highly doubt it and, in all honestly, who would want to be compared to this outing anyways. Everything about this song is perfection, from P!nk's trademarked attitude, Lil' Kim's gold digging rap and Xtina in all of her big hair glory swallowing the song whole with her over-the-top vocal exercises (and did I mention her enormous hair?).






42. Gwen Stefani 'Hollaback Girl'
2005. From Love. Angel. Music. Baby.

Even with its massive popularity, I'm still baffled at how 'Hollaback Girl' became a hit in the first place. With an odd, "stomp the yard" style hook and a cheerleading cheer as its main attention grabber, 'Hollaback Girl' is a downright unusual pop song and normally America ignores the unusual in favor of the rote. What's even more surprising is that given the large amount of times I have heard this song on the radio, it still feels as fresh as the first couple of times I heard it. Now that shit is bananas.





41. Carrie Underwood 'Before He Cheats'
2007. From Some Hearts.

As I stated in the post where I named 'Before He Cheats' the number one song of 2007, I'm still fucking scared of Carrie Underwood. She may seem all sweet and innocent, but you cross her just once and she will fucking cut you like she is Dame Judi Dench, no questions asked. If only there were more female country artists ready and willing to stand up for themselves like Underwood does here. Maybe country music would start to be more listenable.

Top 100 Songs of the 2000's: #100-81

Well, my readers, we're getting to that point. The decade is drawing to a close and it's time to start unveiling "Best of" lists by the score. Of course, I will be jumping on this bandwagon and offering my opinion on the best albums (already in progress with a new installment soon), films and, starting now, songs (a couple others may pop up depending on time restrictions). As I mentioned before, I am not a music critic. Unlike with movies, I don't have refined, highbrow taste; I know what I like and that's usually ridiculous, poppy-as-music-can-get pop music (I've literally said before, "If you want poetry, listen to Bob Dylan. But if you want to shake your ass, listen to Fergie. And that's okay by me"). So, naturally, that posed a problem for me: how do I approach this list? Should I go with sentimental favorites? Pop tracks that even non-pop fans might enjoy? The "best" of what pop had to offer this decade? After some soul searching, I decided to combine all three, hopefully creating a good mix of legitimately great songs with ones that I'm personally attached to for reasons beyond "greatness." I'm giving you fair warning so if you don't like pop music, please don't leave a comment saying something along the lines of, "THIS LIST SUCKS! What about *insert random British indie band that only 5 people have heard of, Girls Aloud mocks in 'Hoxton Heroes' and makes me sound like a pretentious twat*????"

So, without further ado, here's Part 1 of my Top 100 Songs of the 2000's:

100. Ashlee Simpson 'La La'
2005. From Autobiography
What better way to start off the countdown then with the decade's one and only true masterpiece of pop trash. Ashlee Simpson is the triple threat of badness (can't sing, can't act, can't dance) so it seems fitting that she achieves so much with 'La La,' a song with hilarious "so subtle they're not subtle anymore" lyrics ("You make me wanna la la/In the kitchen, on the floor") and obvious innuendo (Gee, I wonder what "la la" is referencing...). Only Ashlee, in all of her awful glory, could make this song work in all the wrong ways.


99. Phantom Planet 'California'
2004. From The Guest
Hate or love The O.C., everyone knows this song, or, at the very least, the infamous "California, here we come" line. Who knew that something so simple could define not only an entire TV show but also said show's devoted following?






98. La Roux 'Bulletproof'
2009. From La Roux
Who would have guessed that one of the most new, refreshing and forward-sounding artists of the decade would be this Neo-80's Synth Pop group? It's a tough call between this one and 'In for the Kill,' but 'Bulletproof' was my first exposure and immediately cemented my love for La Roux.





97. DJ Sammy & Yanou featuring Do 'Heaven'
2002. From Heaven
If nothing else, DJ Sammy proved that shitty Bryan Adams songs could be turned into addictive dance club staples. There's hope for you yet, 'Everything I Do (I Do It For You).'






96. Dream 'He Loves U Not'
2000. From It Was All a Dream At the height of this song's popularity, I thought Dream was going to be around for forever. Who knew that after their second single, 'This Is Me,' Dream would be no more? Oh well. At least we'll always have this insanely catch pop number to remember the good times.






95. Sean Paul 'Get Busy'
2003. From Dutty Rock
Sean Paul is usually bearable in small doses (Beyoncé's 'Baby Boy' and Blu Cantrell's 'Breathe' come to mind) but I find him to be generally awful. The stars aligned, however, for a brief moment in 2003 with this explosive, unrelenting dancehall track.





94. Michelle Williams 'We Break the Dawn'
2008. From Unexpected
Beyoncé may have hogged all the attention after the break-up of Destiny's Child, but eternal third-wheel Michelle Williams had at least one stunner of a track buried up her sleeve on her first non-Christian solo album. It's a shame (and somewhat surprising) that this song never caught on with American audiences. T-Pain can have five #1's yet 'We Break the Dawn' can't even get a little love?



93. Martina McBride 'Where Would You Be'
2002. From Greatest Hits
One of the most underrated belters in all of music really belts it out in this ode to love gone awry. Martina may be country, but her pure vocals and the raw emotion of this song quickly make you forget those negative connotations.





92. Brandy 'Full Moon'
2002. From Full Moon
Right before Brandy became almost irrelevant on the pop music scene (she has apparently made some great albums afterwards but I haven't bothered listening to them), she left us with this smooth and sexy R&B track, proving that sometimes the most rewarding songs are the ones that make it seem effortless.





91. Sophie Ellis-Bextor 'Murder on the Dancefloor'
2001. From Read My Lips
My first exposure to SEB before I really knew who she was. She may have produced technically superior work afterwards, but there's something about the relative simplicity and repetitiveness of 'Murder on the Dancefloor' that sticks with me above anything else.




90. Mark Ronson featuring Amy Winehouse 'Valerie'
2007. From Version
As if all of their epic collaborations on Back to Black weren't enough, Ronson and Winehouse teamed up one more time for Ronson's Version in 2007 and produced this soulful cover of The Zutons' original. The end result is further proof that Winehouse's two year long drug-induced haze is one of the decade's biggest tragedies.





89. Jennifer Lopez featuring Styles P and Jadakiss 'Jenny From the Block'
2002. From This Is Me...Then
To prove how real and humble she is, J. Lo wrote a song about how she's real "even on Oprah." I think it goes without saying that 'Jenny From the Block' only proves how high in the clouds she is. But that's okay- I wouldn't have my divas any other way.



88. Fergie 'London Bridge'
2006. From The Dutchess
So out there lyrically and stylistically I pretty much did a double take the first time I heard it; did she really just say that. Hell yes she did and it soon became apparent who the real driving force behind the Black Eyed Peas' recent success was. Oh shit indeed.






87. Madonna 'Hung Up'
2005. From Confessions on a Dancefloor
Only Madonna could turn an untouchable ABBA hook into one of the decade's greatest Europop numbers. The fact that this song was a monster hit in every country in the world except the USA is still a major embarrassment.





86. Girls Aloud 'Something Kinda Ooooh'
2006. From The Sound of Girls Aloud
Most artists couldn't have made this song's wacky, onomatopoeia-filled chorus sound like anything other than complete and utter gibberish. Girls Aloud, however, aren't most artists and turn 'Something Kinda Ooooh' into a ridiculously addictive ridiculous pop gem.





85. Mary J. Blige 'Family Affair'
2001. From No More Drama
Now this is my jam! MJB was a success on the urban charts for close to a decade before this massive crossover hit, but 'Family Affair' proved that she could hang with both sides and still be true to herself. The song may not be as deep and emotionally resonant as some of her other great songs ('I'm Goin' Down,' 'No More Drama') but this one is simply damn fun.





84. M.I.A. 'Paper Planes'
2008. From Kala
If I could say one thing nice about Slumdog Millionaire, it's that it finally made me understand the genius of this M.I.A. track. I really have no idea what's it about but the combination of cash register sound effects and the line "Third world democracy/I've got more records than the KGB" make this song truly epic.





83. Christian Falk featuring Robyn 'Dream On'
2006. From People Say
Right before Robyn returned to the top of the charts around the world (except for the US, natch), she was featured on this slick, beat heavy, ultimately weird song about personal safety and security in the modern world (Yeah, I know. Who knew such an odd topic would make such a fascinating song?).





82. Jesse McCartney 'How Do You Sleep'
2009. From Departure
One of the best pure pop songs on this lists. With its chill, laid back groove, 'How Do You Sleep' is the perfect summer song to jam along to in the car with the windows rolled down.








81. Alesha Dixon 'The Boy Does Nothing'
2008. From The Alesha Show
Everytime I hear the opening outburst of "I've got a man with two left feet," I have to immediately stop whatever I'm doing and sing this song at the top of my lungs. Alesha's vibrant energy shines through impeccably on this single, proving that she could be a pop powerhouse in the coming years.