Why the Bombing of the Sugababes 4.0's Sweet 7 is Perhaps the Greatest News Ever

Listen, I love the Sugababes. They weren't as easy to get into as Girls Aloud, but I'm glad I finally "got" them. 'Push the Button' and 'Freak Like Me' are two of the past decade's greatest singles. 'Ace Reject,' the best song they have ever recorded, exemplifies everything I love about pop music. Hell, I even love Catfights & Spotlights, an album that most Suga fans are rather meh about. But, ever since listening to Sweet 7 a month or so ago, I have been secretly hoping for it to bomb big time and hasten the demise of this Frankenstein version of the 'Babes. Why, you ask? One reason and one reason only:

I love Jade Ewen. A lot.

Let's ignore for a second Sweet 7's general shitness, especially in comparison with the leaked Keisha versions that appeared online back in October or November. Instead, I want to talk about how being in Sugababes 4.0 is holding Jade back from a potentially amazing solo career. The Sugababes always worked because the women all had good voices but no voice overshadowed anyone else. Jade's voice, on the other hand, is much stronger than Heidi and Amelle's so, to compensate, she has to hold back. Besides, her voice isn't suited to the group's recent adoption of middling American-sounding pop; she does her best work letting her voice explode all over a song, not constraining it to a throaty, talky growl.

Right before Sweet 7 leaked online, a couple of Jade's unreleased tracks from prior to her jail sentence with joining the 'Babes found their way online. Originally, I didn't think anything would come of them, but, lo and behold, they are magnificent pop gems, way better than anything on Sweet 7. My favorites from this batch were 'My Man' and 'I Had Him First,' two surprisingly fierce uptempo tracks that recall Toni Braxton's 'He Wasn't Man Enough' and Whitney tracks like 'I Wanna Dance With Somebody.' Needless to say, I was really digging Jade's sound, but then came another unreleased track, 'Punching Out,' and my love for her grew exponentially. It became clear that the biggest crime regarding this latest incarnation of the Sugababes wasn't the fact that they were still using that name despite not having any original 'Babes left; rather, it was the fact that Jade was forced to slum it in this dying group instead of promoting her solo career.

Now that Sweet 7 has bombed this past week, I hope that everyone realizes that it's time to end the 'Babes with their dignity and good name intact instead of trying to resuscitate them in hopes of milking a Top 10 single from the brand name. The Sugababes were amazing in their day--very few girl groups can touch them--but the further they dilute their original sound so they can become as manufactured as so many American pop acts, the more people will start to turn on them. Leave the Sugababes alone and let Jade have the solo career she so rightfully deserves. She already has half an album ready of great songs. Don't believe me? Give 'I Had Him First' and 'Punching Out' a listen below:

Top 100 Songs of the 2000's: #20-1

Previous installments: #100-81 #80-61 #60-41 #40-21

20. Jessica Simpson 'I Think I'm In Love With You'
2000. From Sweet Kisses.

Of the four teen pop princesses who emerged in 1999-2000, Jessica Simpson (along with Brit, Xtina and Mandy Moore) gets the least amount of respect these days. I find it a shame that she's nothing more than tabloid fodder because underneath all of the Newlyweds, "dumb blonde" foolishness, there's a legitimate talent. When she gets a great pop song, she nails it (see also: 'A Little Bit,' 'With You,' 'Irresistible'). 'I Think I'm In Love With You,' sampling the fantastic hook from John Cougar Mellencamp's 'Jack & Diane,' is the perfect pop song, the embodiment of how I want to feel when I fall in love with someone. I want to sing that big note without a care in the world. One more than one occasion I've said that I love this song more than nearly every member of my extended family; it's still true and probably always will be.



19. Leona Lewis 'Run'
2008/9. From Spirit.

My only gripe with Britpop of the 2000's, a decade which saw the Brits deliver consistently more clever and creative pop music than us lazy Americans, is the way they constantly cover pop songs that had no business being covered (and the fact that they get to #1 again and again at an alarming rate). Just think of all Christmas #1's, X-Factor finalists/winners and charity singles that hit the top of the chart and then were quietly forgotten two weeks later. One of the very few exceptions to this rule is Leona Lewis's 'Run,' a cover of Snow Patrol's so-indie-it-hurts ballad. Leona turned this dire song into one of the biggest and most emotive power ballads since Celine Dion's heyday. Now, this how you cover a song.



18. Lady GaGa 'Bad Romance'
2009. From The Fame Monster.

A future classic. 'Bad Romance' is the moment everyone realized that GaGa wasn't fucking around.









17. Robyn featuring Kleerup 'With Every Heartbeat'
2008. From Robyn.

Whenever I hear some annoying twat complain about how shallow pop music is (especially in comparison with whatever precious indie shit they adore), I, first of all, want to shake them. After that, I would tell them to listen to Robyn's 'With Every Heartbeat,' a searing, unconventional portrait of a broken heart that is unashamed of its pop roots. The way she repeats "And it hurts with every heartbeat" over and over at the end is more emotive and real than all of your "real" music put together.




16. Destiny's Child 'Say My Name'
2000. From The Writing's on the Wall.

America's premiere girl group bounced right back from the nasty departure of two of its members with 'Say My Name,' the song that solidified their then-burgeoning fame. I simply adore the way this song plays around with tempo and pacing, oscillating back and forth, constantly surprising with what's coming next. Bonus points for that iconic music video--which girl's room do you want to be in?





15. Justin Timberlake featuring Timbaland 'SexyBack'
2006. From FutureSex/LoveSounds.

This song should have gotten old quickly. Thankfully, it hasn't. I can still listen to JT's sexy growling and Timbaland's constant "Yup!" and never get sick of it.








14. Beyoncé featuring Jay-Z 'Crazy in Love'
2003. From Dangerously in Love.

I don't fall head over heels in love with a song on first listen, but 'Crazy in Love' had me right from that opening trumpet wail. Beyoncé always had star power--'Crazy in Love' just proved that she had the ability to take over the pop world. Seven years later, we are still captivated by her.






13. Leona Lewis 'Bleeding Love'
2008. From Spirit.

My God, those lyrics! I simply can't get over how rich, emotive and surprisingly dark they are, even after hearing this song approximately 1400 times since its American debut in the spring of 2008. But this isn't the song's sole claim to success. Jesse McCartney, one of the song's co-writers, sang a version of it, but it never worked for me. Leona has this amazing knack to emote on my exact emotional level at all times. She turns 'Bleeding Love' from a great poem to an amazing musical experience.





12. Girls Aloud 'Sexy! No No No...'
2007. From Tangled Up.

The first Girls Aloud song I ever heard. What a way to start, hm? I love the absolutely relentless beat that gets heavier and heavier as the song moves along. It's so f-ing addictive, and I'm sure it is what made me a Girls Aloud convert right from the get-go (the insane punctuation in the song title sure didn't hurt either).






11. Mariah Carey 'We Belong Together'
2005. From The Emancipation of Mimi.

The moment America seemed to remember how much they truly loved Mariah after all those years of calling her crazy and washed up. I loved Mariah, even during those dark years (I still think Charmbracelet is an underrated album), but 'We Belong Together' reaffirmed those feelings like a renewal of marriage vows. A couple times a year, some R&B songstress tries to come out with a smooth R&B slow jam and try to out-Mariah Mariah. A couple times a year, those songs fail. No one does 'We Belong Together'-style balladeering better than the originator.





10. Kylie Minogue 'Love at First Sight'
2002. From Fever.

The idea of "love at first sight" is technically not a very groundbreaking concept in pop music. With 'Love at First Sight,' however, Kylie is able to capture that emotion like it was a startling breakthrough. In much the same way 'I Think I'm In Love With You' does, 'Love at First Sight' relates an idea or feeling that you hope to experience someday. Only pop music, I feel, has the power to take some emotion so mundane and make it completely zesty.




9. Ciara 'Like a Boy'
2007. From The Evolution.

Ciara stands up to all the wannabe gangsters and tough thugs in one of the cleverest take downs of this decade's rap culture...and no one pays attention. Sigh.







8. Missy Elliott 'Work It'
2002. From Under Construction.

This may not be Missy's most accomplished jam (which sounds like complaining about your least favorite track on Blackout), but it's the one I'm most fond of even after all these years. 'Work It' is Missy at the height of her powers, when she was making music for herself and having a damn good time doing it. The great thing was, everyone else was enjoying it too. 'Work It' was popular among my group of friends in high school, and I remember often talking about how insane and in-your-face this song is--especially that epic lyric in reverse during the chorus.






7. Amy Winehouse 'Rehab'
2006/7. From Back to Black.

Come back to the music world, Amy Winehouse, Amy Winehouse. This place simply isn't the same since your hasty, drug-induced departure. Who else but Amy Winehouse can make a song about refusing to get help for a drinking problem so beautiful and every so slightly sad at the same time (maybe Ke$ha, but less enthusiastically and soulfully)? I will never give up on this woman and her eventual re-ascension to the top of the music world.





6. P!nk 'Just Like a Pill'
2002. From M!ssundaztood.

P!nk's rebellious attitude had become her stock in trade by the time she released this single. Never before had she dabbled in such a dark, eerily moody place as she does in 'Just Like a Pill.' This song is often remembered only as a footnote after the twin mega-successes of 'Get the Party Started' and 'Don't Let Me Get Me,' but 'Just Like a Pill' stands on its own merits and showed the world a side of P!nk that hadn't been seen before.





5. Sugababes 'Push the Button'
2005. From Taller in More Ways.

The sexiest song ever recorded. I wasn't convinced at first, but now I want to make babies to this song.










4. Eve and Gwen Stefani 'Let Me Blow Ya Mind'
2001. From Scorpion.

The best example of post-Spice Girls "Girl Power." Rock and rap collide in this piercing take down of celebrity-hungry culture and rappers more concerned with bling than writing good rhymes. If only more people had paid attention to Eve's warning back in 2001, maybe we wouldn't have had to endure Souljaboy.

P.S. I know every word to this song. It's probably the only rap song I can say that about.





3. Kelly Clarkson 'Since U Been Gone'
2005. From Breakaway.

I'm sure this song is near the top, if not at the top, of everyone else's best of the decade list. But when a song has proven this influential (for good or for bad) and this monumental in such a short span of time, there's nothing left but to give it due credit and follow consensus. Never have I been happier to follow a trend.





2. Girls Aloud 'Biology'
2005. From Chemistry.

I still remember the moment when I realized 'Biology' was one of the greatest songs I had ever heard. I was driving home from work one random night, listening to my Girls Aloud mix CD. I had always liked 'Biology,' but something happened with the song that gave me chills. As weird as it may sound, I felt like I was having some grand epiphany of sorts. This is what pop music is about.

I love the way 'Biology' keeps on playing with your expectations without you even realizing it. The structure doesn't follow the typical verse/bridge/chorus we've come to expect from a three and a half minute pop song. Then, there's the way the first verse builds up to a heated, sexual frenzy, pausing more seductively with each "Closer," only to, for lack of a better expression, give you blue balls with the abstinence-friendly second verse. How many songs do you know that can take you up and then take you down like that all in a matter of seconds?




1. Nelly Furtado 'Say It Right'
2007. From Loose.

Surprised that a semi-serious song from everyone's favorite Canadian warbler is my favorite of the entire decade? I was rather surprised myself when I sat down to make this list that I kept coming back to this one as the song I felt most strongly about, the one that defined the whole decade for me. 'Say It Right' is a perfect, and admittedly strange, combination of mid-90's hip-hop, Eurthymics-style 80's synth pop, late 2000's American pop and East Asian zen. Add to that conflicting pile of influences the fact that I, nor even Nelly herself, knows exactly what this song is about or trying to be about. That hardly matters in the long run, though. When you have a song as mysteriously vague as 'Say It Right,' it's more fun trying to dissect its meaning rather than knowing straight off. For this reason (plus the fact that it's compulsively listenable), 'Say It Right' is officially my favorite song of the 2000's.

Top 100 Songs of the 2000's: #40-21

Previous installments: #100-81 #80-61 #60-41

40. Victoria Beckham 'Let Your Head Go'
2003. From Let Your Head Go/This Groove.

Okay, so I'm not going to accuse Vicky B of being the greatest singer on the planet. What she accomplishes on 'Let Your Head Go,' however, is a prime example of one of my guilty pleasures: the less-than-stellar singer who relies on something else to make a hot track. It may not be 'And I Am Telling You I'm Not Going,' but this song is eternally listenable.




39. Blu Cantrell 'Hit 'Em Up Style (Oops!)'
2001. From So Blu.

Who didn't jam out to this song at least once back in 2001? Blu's spirited tale of revenge and love gone wrong was one of the big girl power anthems of the decade. After this song, I know that if anyone has the balls to cheat on me, I'm not going to get angry--I'm just going to have a large garage sale.





38. No Doubt 'It's My Life'
2003. From The Singles 1992-2003.

I think this is my favorite No Doubt song, but everytime I think of it, I remember this ridiculous conversation I had with my grandma about the music video. Her idea of a good singer is someone who just stands there and sings so when she saw Gwen Stefani wildly trashing about in the music video, she started complaining about today's entertainers not having any talent and "Back in my day," etc. I defended Gwen, trying to convince my grandma she was just acting (and she was on death row in the video for God's sake!), but she was not having it. Finally, I gave up because if there's one thing you can't do, it's change my grandmother's mind.



37. Missy Elliott 'Get Ur Freak On'
2001. From Miss E...So Addictive.

Missy's standard; if she were to die right now, this is the song everyone would be using to memorialize her.










36. Eminem 'Lose Yourself'
2002. From 8 Mile (Original Motion Picture Soundtrack).

No matter what stupid shit Eminem raps about or how lame his gimmick continues to be, I remind myself that for a brief period of time, he was actually relevant and released a couple of classic tracks. 'Lose Yourself' is, undeniably, one of these tracks.








35. Sugababes 'Freak Like Me'
2002. From Angels With Dirty Faces.

For all intents and purposes, this update of the mid-90's Adina Howard hit shouldn't have worked. Instead of merely singing the original over again, the 'Babes tailored the song to fit their sound and ended up with their sexiest song until 'Push the Button.'







34. The Killers 'Mr. Brightside'
2004. From Hot Fuss.

Pure adrenaline rush. Everytime this song comes on, I just can't help myself and start screaming every word. At the same time, however, it's also one of the saddest songs I've ever encountered.








33. Christina Aguilera 'Fighter'
2003. From Stripped.

Xtina's defiant battle cry against all the haters is yet another example of my adoration for the subgenre I call Pop Songs as Personal Expression. I undervalued this one back in the day, but over the years, it's often the one I think back of first when recalling Christina during her dirrty Xtina days.








32. Duffy 'Warwick Avenue'
2008. From Rockferry.

A deceptively simple song with some of the most beautiful lyrics I've ever heard. Duffy will always have my heart thanks to this song.








31. Rihanna 'Disturbia'
2008. From Good Girl Gone Bad: Reloaded.

What we originally thought was a creepy pop song from our newest pop princess has become a precursor to the scarily dark and hardened Rated R. Still, without a doubt, the best single she has ever released (that is, unless she releases 'Fire Bomb').







30. Fergie featuring will.i.am 'Fergalicious'
2006. From The Duchess.

She's not Bob Dylan, so you can suck it if you object to her on the grounds that she doesn't make "real" music. I love the ingenious of this song and I don't care if you find me completely shallow. Can you think of any other singer around with the audacity and gusto to pull off a line like "I be up at the gym, just workin' on my fitness/He's my witness"?






29. The Corrs 'Breathless'
2000. From In Blue.

I find, in general, that The Corrs are pretty lame as far as musicians go. In 2000, however, they struck gold (with me, anyways) with the eternally catchy and forever endearing 'Breathless.' I remember how I used to annoy one of my friends in seventh grade by singing this song obnoxiously. Ah, good times.







28. Groove Armada featuring Mutya Buena 'Song 4 Mutya (Out of Control)'
2007. From Soundboy Rock.

For whatever reason, 'Song 4 Mutya' reminds me of the first day of spring when you can finally take a drive with the windows rolled down. Besides, how awesome it that the song incorporates the singer's name into the narrative? You don't get that much outside of a Fergie song (see: 'Fergalicious' at #30).






27. Kanye West featuring Syleena Johnson 'All Falls Down'
2004. From The College Dropout.

It wasn't until a couple of years after 'All Falls Down''s initial run on the charts that I actually took the time to listen to the lyrics and what they were truly about. Well, color me surprised that Kanye, unlike so many other useless rappers around, was pulling off a social critique of excessive consumer spending, people living beyond their means and insecurity. Say what you want about his personality, Kanye is a rapper who actually has something to say; we need more of that around, don't you think?





26. Britney Spears 'Toxic'
2003. From In the Zone.

A Britney song that even non-Britney fans can enjoy without feeling too guilty.










25. Miley Cyrus 'See You Again'
2008. From Hannah Montana 2: Meet Miley Cyrus.

I wanted to resist. Lord knows I tried. But after listening to it 25 times in a row during a trip to the mall sophomore year of college--in a moment of my life straight out a teen movie montage--I fell head over heals in love with Miley and her best friend Leslie. Love or hate everything else Miley does and stands for (Lord knows I'm super critical), 'See You Again' is undeniably an unapologetically pop gem.





24. Madonna 'Don't Tell Me'
2001. From Music.

I swear on my life the video for 'Don't Tell Me' turned me gay.










23. Stacie Orrico '(There's Gotta Be) More To Life'
2003. From Stacie Orrico.

I realize that this is hardly the most sophisticated song ever written, but my 15 year old self connected deeply with Ms. Orrico's ode to searching and hoping for something more in life. If I was on American Idol and tried to manipulate the audience with a sappy story, this is the song that would be playing in the background.







22. Pussycat Dolls 'Buttons'
2006. From PCD.

I credit my re-emergence into mainstream pop music with this song. No matter what I did during the summer of 2006, I could not avoid 'Buttons.' I wanted to hate it at first, but eventually the Dolls wore me down and the song became too damn catchy to hate. When I left for college in September, I started getting hooked again to pure pop music; without 'Buttons' there to prove how great it can be when done right, Lord knows what I'd be listening to now.





21. Outkast 'Ms. Jackson'
2001. From Stankonia.

How on Earth can you not fall in love with a hook like "I'm sorry, Ms. Jackson. Woooo!"? In a decade full of groundbreaking and genre-crossing hip-hop from the duo, 'Ms. Jackson' is a true highlight of their genius.

RIP Sugababes Lineup #3

With the news of Keisha leaving the group right before the release of their latest album, the Sugababes have now surpassed Beyoncé and the Children of Destiny in amount of obnoxious lineup changes. Congratulations?

As a tribute, here are my favorite songs from the Keisha/Amelle/Heidi years:

The Top 10 Albums of 2008

10. The Saturdays Chasing Lights
I was actually quite surprised by this debut album from British girl group The Saturdays. Most acts would have a tough time recording an album that were even in the ballpark of their epic first single "Up"; for The Saturdays, this was a walk in the park. Chasing Lights is simple, clean and gets right to the point, delivering an album that didn't even need to be half this good.
Key Tracks: "If This Is Love", "Up", "Chasing Lights", "Issues"

9. Same Difference Pop
Was anything on The X-Factor finalist Same Difference's debut album anything as groundbreaking and original as some of the other stuff on this countdown? Not a chance. Did most of the songs sound vaguely similar? Sure. Does any of that matter? Hell to the no! Pop is silly, squeaky clean, honest to goodness fun and, the best part is, it doesn't apologize for it. It's only superficial, ridiculous pop, but we like it. A lot.
Key Tracks: "Better Love Me", "We R One", "Nothing's Gonna Stop Us Now", "I Need a House"

8. Santogold Santogold
Anyone that knows me knows I usually don't like to take a chance on music that's outside my normal "Top 40" zone. I would rather listen to Fergie than Bob Dylan or listen to that new indie rock band everyone's talking about- and I'm completely fine with that. So when Glenn heartily recommended Santogold's debut album, I took a shot on it and, needless to say, I was very impressed. The songs are so unique, combining insturments in ways I don't think I've ever heard before, and Santogold's voice is so alien, so unique that it's always a treat hearing her explore her range on tracks as completely different as "Lights Out" and "Say Aha."
Key Tracks: "Lights Out", "L.E.S. Artistes", "Creator", "Say Aha"

7. Madonna Hard Candy
A lot of people hate it, but I love the new direction Madonna took for her latest CD, Hard Candy. Here she proves that she can hang with the pop tarts of this generation and she can do it better than anyone 30 years her senior. On first listen, the album doesn't seem like much of anything. But after hearing it a few times, the things becomes damn near impossible to put down. With this impressive album out of the way, the only question is now that she's divorced from Guy Ritchie and her British phase is pretty much over, what "new" Madonna are we going to get next.
Key Tracks: "Miles Away", "4 Minutes", "Heartbeat", "Voices"

6. Sugababes Catfights and Spotlights
Catfights and Spotlights (great title, by the way) may not be a departure from the usual Sugababes formula, but when you have a formula as proven and immaculate as theirs, sometimes you don't need to tinker with it. Their usually powerful writing is especially so on this go-around (you won't find a track as cleverily written as "Murder One [Every Heart Broken]" anywhere else) and their production sounds more American than ever before- which is more proof that foreigners are doing better American music than we are.
Key Tracks: "Murder One [Every Heart Broken]", "Side Chick", "You On a Good Day", "About You Now (Acoustic)"

5. Jesse McCartney Departure
If you had told me last January that Jesse McCartney would have not only one of the 10 best albums of 2008, but also the best album by an American, I would have had you committed right on the spot. Overnight, this bland, boy band-ish young fellow grew up and matured into a hip-pop dance king. He may be trying a bit too hard to imitate Justin Timberlake in all of his "Sexyback" glory, but, honestly, if you're going to imitate someone, you can't do much better than JT.
Key Tracks: "How Do You Sleep", "It's Over", "My Baby", "Leavin'"

4. Kylie Minogue X
I feel like I've been talking about this album for years now, but since the album was finally released in America early last year, I figured I had an acceptable excuse to include it in this year (does anyone else really put this much thought into their lists?). With a career as illustrious as Kylie's, with as many great songs as she's put out, many from this 16 track collection deserve to stand head to head with some of her best. X is dance-pop perfection and deserves more respect than it received stateside.
Key Tracks: "In My Arms", "The One", "Wow", "Speakerphone"

3. Duffy Rockferry
A lot of critics attacked Duffy because she doesn't sound like another certain 60's soul-inspired chanteuse from the UK and even, God know's how, ended up on Entertainment Weekly's Worst of 2008 list. Well, to all those critics, I have but one thing to say to you: "poo poo." In my opinion, Rockferry was one of the most deeply felt and emotionally resonant albums of the year. I'm guessing people were turned off by the quietness and introspection of the music and lyrics, especially towards the middle, but I found Rockferry to be totally soothing and relaxing.
Key Tracks: "Warwick Avenue", "Delayed Devotion", "Serious", "Rockferry"

2. Sam Sparro Sam Sparro
This is the album Blake Lewis' Audio Day Dream tried to be and only half-succeeded. Sam Sparro's out-of-this-world dance hall fantasia was one of the most exciting albums I heard all year. Every song offered either something very interesting (the fascinating look on modern day inconveniences in "21st Century Life") or totally brand spankin' new (the solemness of "Black and Gold" and the entirety of "Clingwrap") to my ears. I will definitely be interested to hear what comes out of his mouth next.
Key Tracks: "Black and Gold", "21st Century Life", "Clingwrap", "Pocket"

1. Girls Aloud Out of Control
Say you're a pop group and you've just released a masterpiece of an album- wouldn't it be the safest to make an album vaguely similar to said masterpiece and reap more acclaim. Most groups would milk this cash cow for all it's worth; thankfully, Girls Aloud aren't all pop groups. Out of Control is a completely bewitiching, absolute stunner of an album. This album takes a complete left turn from their last album, switching from the hardcore electronic, dance floor ready Tangled Up to a quieter, dreamily surreal electric pop that's so hard to describe you really need to listen to it yourself to get the full scope of it. Out of Control is an epic masterwork for a group often dismissed as nothing more than a "pop"group; kudos to the Girls for realizing that "pop" doesn't neccessarily have to be a derogatory label.
Key Tracks: "Rolling Back the Rivers in Time", "Live in the Country", "The Loving Kind", "We Wanna Party"

This Fall Isn't Just About Great Movies...

....well, I'm not going to lie, the movies do hold a little more importance for me, but the multitude of new CD's coming out by artists I actually like in the coming months is impressive. It's seriously blowing my mind. I've been compiling this list for the past week or so and I still don't think I've covered everything, so if I'm missing a great artist's upcoming album, let me know and if I like the artist too, I'll add them.

• Pussycat Dolls Doll Domination (9/23) I'm probably in the minority when I say that the Pussycat Dolls' debut album PCD is a near pop masterpiece, but it truly is. It flaunts it's trashiness like Michael Phelps' gold medals and there's nothing I love more than camp embracing it's campiness. The first single from Doll Domination, "When I Grow Up," is almost up to that camp standard (the opening is epic but I still can't get over the crap chorus) so let's hope that the rest of the album is a tad bit more focused.
  
• Jennifer Hudson Jennifer Hudson (9/30) OMGJenniferHudson! If the rest of the album is as brilliant as her first single "Spotlight," then we're probably looking at the album of the year.
  
• Michelle Williams Unexpected (10/7) Michelle who? Let me remind you, in case you were brainwashed have forgotten that there were two other members of Destiny's Child beside Beyonce. Kelly Rowland released an album last year that was half good, half not-so-good so now it's Michelle Williams' turn to try to steal some of Beyonce's spotlight. With "We Break the Dawn," the amazingly epic song that's burning up the radio and everyone's talking about...what, you haven't heard it? Oh, that's right. When people are given a great track that even fits the current popular taste, it's the American way to ignore them for Kid Rock and Lil' Wayne.
  
• Sugababes Catfights & Spotlights (10/20- UK release date) Amazing album title, hot first single and a track with the greatest lyrics I've heard in a long time. Look what you're missing out on, America!
  
• Pink Funhouse (10/28) "So What" is my new official angry anthem and Pink hasn't disappointed me musically since...well, ever! Pink defined my teenage years with her M!ssundaztood album so it's stands to chance that Funhouse could start my 20's off with a bang, right?
  
• David Archuleta TBA (11/11) In my opinion, this little cutie should have won American Idol this season, but apparently my opinion doesn't matter and America hates me (I'm not bitter!). As a tradition, albums from the second place finishers usually suck, but I have faith in my Davie because of his first single, "Crush." The lyrics and music are pure boy band cheese, but Archuleta sells it like a true pro and, before I know it, I'm singing along with every word and listening to it on repeat over and over again.
  
• Missy Elliott Block Party (11/11) Missy always delivers a hot album with a sick singles and visually impressive music videos. These days, she's hip hop's saving grace so we need to treasure every ounce of originality from her.
  
• Beyonce Virtuoso Intellect (?) (11/18) I'm not sure how I feel about the rumored title yet, but it's f-ing Beyonce, man. There's not too much info on this one as of right now, although she just shot the video for her first single "If I Were a Man" a couple of weeks ago. The best news: the video is supposed to be thematically similar to her "Ring the Alarm" video (aka one of the greatest music videos of the decade). Oh, don't tell me you've forgotten? I officially can't wait!
  
• The Killers Day & Age (11/25) Little known fact: J'adore The Killers. "Mr. Brightside" and "When You Were Young" are absolutely two of my favorite songs ever. If Day & Age offers one song as good as either of them, this will be one hot album.
  
• Britney Spears Circus (12/2) Without a doubt, this is my most anticipated album of the year. If Blackout, a true masterpiece if I've ever heard one, was made during her famed meltdown, just imagine the mindblowing album that could come out of her now that she's got her life on track. We'll hear her first single, "Womanizer," on the 22nd, so let's cross our fingers that this will be another winner from Miss Spears.
  
• Girls Aloud TBA (TBA) No details have been released about Girls Aloud's newest album, but I literally can't get the first single, "The Promise," out of my head or off repeat. It's so damn catchy and unlike anything I've heard from them or am hearing currently on the radio. Listen for yourself.
  

I'm going to be so poor by December.

Everything's Coming Up Links

Both The Cellar Door and Valley Dreamin' announce their Top 10 films from 2007. Their varied and carefully chosen lists are well worth a look so who cares if they are a few months behind?

Stale Popcorn debuts the new Sugababes single "Girls." I'm in love already. Seriously, if you live in America and haven't heard of Sugababes, check them out right now.

PUXZKKX also thinks Katy Perry should suck it and offers a dozen reasons why. I agree with every single one.

Shiny Happy Blog offers her picks as the sexiest moments on film. It's hard to argue with Y Tu Mama Tambien or Brokeback Mountain. She even has a part two right here that's just as steamy.

Much Ado About Nothing has another entry in his weekly countdown of his favorite films. At #48, he has Martin Scorsese's The Age of Innocence. I've somehow never seen this film despite my admiration for all involved so maybe I should get on that soon.