My Dream Supporting Lineups for 2009

I gave up on Oscar predicting this year because a) there are a multitude of sites out there who do it better and more in depth than myself and b) I was quickly growing bored with it. It gets exhausting predicting the same 8 names all year, you guys! So, while I don't do that anymore, I thought about a couple of weeks or so ago that it would be fun just to make up random lineups that I would kill to see from this year's crop of Oscar contenders. The lead categories seem too cut and dry at this point with only a few legitimate contenders (we'll have to wait until Toronto ends for the true buzz to begin) so I wanted to dig through the supporting categories since they offer a wider array of actors in different films. I only had two rules when picking my linueps: one, the film actually has to have a legitimate chance (as of right now) at the Oscars (goodbye Sunshine Cleaning, Brothers Bloom and Funny People) and two, the performance doesn't necessarily matter--it's pretty much all about how I feel about the actor and the role. Whether it's because they're one of my favorite working actors, an underrated up-and-comer or just plain sexy, these are who I think would make the ideal supporting lineups this year at the Academy Awards

Best Supporting Actress

Mariah Carey, Precious
Wouldn't this be a great "fuck you" to all the assholes who burned her when Glitter came out? Plus, I hear she's legitimately good in this movie! It also doesn't hurt that I've loved Mariah for most of my life (seriously).

Penélope Cruz, Nine
The sexiest working actress today singing and dancing in sexy outfits. Yes please.
Dame Judi Dench, Nine
She is Dame Judi fucking Dench for Christ's sake. Do you even have to ask with me?
Anna Kendrick, Up in the Air
I have been talking about this young actress for ages now and it seems like she will finally get her due in the loudly buzzing Up in the Air. Maybe the stars will actually align for her and she will sneak in this category.
Mo'Nique, Precious
The star of Beauty Shop and Phat Girlz with an Oscar nomination (and possible win)? Only in America, my friend.

Best Supporting Actor

Daniel Brühl, Inglourious Basterds
He's so pretty. All pretty people should get Oscar noms (especially when they're young and pretty).
Nicholas Hoult, A Single Man
He's also very pretty and, along with Kendrick, I feel like I've been talking about him for awhile. (And, on a side note, I love how everyone "discovered" A Single Man this past week after its Venice win when myself and A Blog Next Door have been talking about it since February and December of last year, respectively)
James McAvoy, The Last Station
Pretty. And he's been great in so many things without getting any due acclaim.
Joel McHale, The Informant!
The hilarious host of E!'s clip show The Soup with an Oscar nomination? Be still my beating heart.
Christoph Waltz, Inglourious Basterds
He's just so goddamned good, that's why.

Lady GaGa Knows Her Stuff

No truer words have ever been spoken.
Adapted from The GaGa's "Boys Boys Boys" from her incredible album The Fame.

(Boys, boys, boys)

We like boys in cars





(Boys, boys, boys)

Buy us drinks in bars




(Boys, boys, boys)

With hairspray and denim








(Boys, boys, boys)

We love them!

"Just because I wouldn't let him, you know, at Oxford"

Good God, I love Bright Young Things, actor Stephen Fry's directorial debut from 2003. I just watched it again last night and, although it's not a perfect film, I still marvel at its sprawling cast of film legends and (then) up-and-comers and the fact that they all work together so seemlessly. Just look at this cast list:

• Peter O'Toole
• Stockard Channing
• Julia McKenzie
• Imelda Staunton
• Richard E. Grant (he played the Spice Girls' manager Clifford in Spice World)
• Dan Aykroyd (not that exciting, I know, but he's actually not too shabby here)
• Jim Broadbent
• Michael Sheen (before his big breakthrough in The Queen, he played the super-effeminate Miles- talk about change of pace)
• Emily Mortimer (before Dear Frankie and Match Point made her well-known in the States)
• David Tennant (apparently he's the most recent Dr. Who, a cult sci-fi show that's been on in the UK for years)
• James McAvoy (a couple of years before his breakthrough in The Last King of Scotland and Atonement made him an international sex symbol)
• Stephen Campbell Moore (I love him so much; although he was in The History Boys (the stage version and the film)- which I haven't seen yet, for some odd reason- he hasn't had a big break yet à la Sheen and McAvoy...such a shame)

Ah, I love it so much. The film is so full of life I believe it's near impossible not to get caught up in its energy. Go out and rent Bright Young Things now because, believe me, if nothing else, you'll have a fun time.

Random Top 10: AfterElton's Hot 100

AfterElton has just announced their second annual "Hot 100" list, which celebrates the hottest men according to gay and bisexual men. I didn't vote last year, but I did read the list and it was surprising to see who made the cut (many of the actors from Queer as Folk) and who didn't (Tom Cruise, Ashton Kutcher). So, because I'm in a giving mood today, here's the list I submitted a few days ago, complete with pictures to admire the beauty of these men.

10. Casey Affleck

9. James McAvoy

8. Tom Brady

7. Blake Lewis

6. Joel McHale

5. Adam Brody

4. Zac Efron

3. Channing Tatum

2. James Marsden

1. Jake Gyllenhaal

2007 Diva Cup Awards: Best Sexpot

And the nominees are...

Keira Knightley as Cecilia Tallis in Atonement
James McAvoy as Robbie Turner in Atonement
They're sexy on their own, but together, the screen almost melts away with their sexual chemistry.

So Hott: The library sex scene

Marisa Tomei as Gina in Before the Devil Knows You're Dead
The only way Tomei's Gina knows how to communicate is through her body and what a body that is.

So Hott: Walking around in nothing but panties, her hips definitely don't lie.

Carice van Houten as Rachel Stein/Ellis de Vries in Black Book
As a spy using her body to lead the Dutch resistance against the Nazis, van Houten proudly flaunts her body and provides the sexy edge that makes Black Book work so well.

So Hott: Her first sexual encounter with Muntze (Sebastian Koch) was so lusty (I can't believe I'm going to say this) I got a little excited down there. I don't think I can recall a previous heterosexual couple in film that did that for me.

Tang Wei as Wong Chia Chi in Lust, Caution
Wei also plays a spy who uses her sexual prowess to get information, but her sexuality is subtler than van Houten's and becomes more pronounced as Lust, Caution goes on.

So Hott: Any of her sex scenes with Leung (except for maybe that anal rape scene...what is it with Ang Lee and anal rape?)

If Only There Were Six: Julia Roberts as Joanne Herrig in Charlie Wilson's War For a strong Christian woman, she definitely dresses a little more on the liberal side. And that wig was a masterpiece.

Rest of the Top 10: Zac Efron, Hairspray...Taraji P. Henson, Talk to Me...Gerard Butler, 300...Michelle Pfeiffer, Hairspray

BRONZE
Marisa Tomei

SILVER
Tang Wei

GOLD
Carice van Houten

Oscar After Party!

What a glorious night last night was! Two upsets with two of my very favorites pulling ahead and snatching the prizes made me very happy to say the least. Although I didn't do very well with my predictions, only getting 13 correct out of 24 categories, I was still so happy at some of my mistakes (Marion & Tilda, Transformers getting shut out). Anyways, here are my thoughts about last night's ceremony, both the positives and the negatives:

Positives
+Jon Stewart hosting: I was initially a little worried about him, because, for me anyways, he's frankly hit or miss and I really don't find him that funny on The Daily Show. But, I have to say that he pulled through and did a really nice job. Not as good as Ellen last year, but still pretty consistently funny.
+Cotillard crying at La Vie en Rose's Best Makeup win: This was so funny to me and my friend Sammi that we made fun of it all night. In case you missed it, her reaction is priceless: she puts her hands over her mouth in shock, like she had just won the damn award and, I think, starts tearing up a little. Lord knows I love Cotillard to death, but she was an easy target for Sammi & I. For example, when the French guy won for Best Short: "Oh my Goodness! A French person just won! I'm so happy!" Or when The Counterfeiters won Best Foreign Film: "Oh my Goodness! They're European! They are so close to France!"
+Josh Brolin & James McAvoy presenting Best Adapted Screenplay: Swoon! Oh my, I couldn't contain myself with these two reading off those classic lines (McAvoy especially, with that beautiful Scotish growl saying "Frankly my dear, I don't give a damn" I melted right there). Way too many dirty thoughts going on there.
+Jennifer Hudson!: What a beautiful and classy lady. No matter what anyone says about her "undeserved" win, I will always love her.
+Letting Marketa Irglova back on stage: Jon Stewart didn't have to let her finish her speech, but I'm glad he did because I would have felt horrible for her the rest of the night. She delivered such a lovely speech that it was definitely worth the extra couple of minutes it took. Plus, I loved Jon Stewart's joke about them backstage (Glen: "Let's make the Oscar's kiss" Marketa: "But they're two boys" Glen: "Well, this is Hollywood")
+No Country For Old Men's Best Picture win: I did like Atonement a teensy bit better, but No Country For Old Men is definitely not something I can get upset about. After The Departed last year, it seems that Oscar is atoning for Crash two years ago by picking the right films this time.
+Diablo Cody's dress: It was leopard print, nearly see-through and had a slit up to her va-jay-jay...God, I love Diablo Cody.

Negatives
-The Enchanted Performances: Lord knows I love the songs from Enchanted (well, at least "Happy Working Song" and "That's How You Know") so it was just a shame that they were done so shoddily last night. Amy Adams did fine with "Happy Working Song" but she was kind of weak and almost seemed to be overdoing it with her voice. Maybe she's just no suited for live performances, and there's nothing wrong with that, but it could have been so much better. Kristen Chenoweth seemed the perfect choice to sing "That's How You Know" because she seems just as bright and bubbly as Giselle, but her voice, to me, was plain awful last night. She was warbling the whole way through and really tried to change the melody into something more difficult that what it actually was. And, as for that last one, let me just say that they should have gotten James Marsden to sing that because it would have been 1000 times better (and more memorable).
-The Dame Judi Dench Fakeout: When they announced Dame Judi Dench's name to present the next award, I looked over at my friend Sammi and was like "Oh my God, yes!!" I was getting ready to bow down in her presence when suddenly I see Jonah Hill and Seth Rogen coming out to present. What the fuck?! And then to have them argue about who was the Dame Judi Dench? That was ridiculous because I would have been her in two seconds. Poo-poo on you Oscar ceremony.
-The First 30 Minutes With Regis: The epitome of painful: Regis talking loudly, annoying contest winners hogging camera time, no stars I cared about (except for Cotillard) and Regis introducing "Xavier" Bardem. That was f-ing ridiculous.

Before I finish, I just want to mention this conversation Sammi and I had during the ceremony:

Sammi: Who's that sitting next to James McAvoy? Is it Keira Knightley?
Me: It can't be. She didn't come. I think that's his girlfriend or wife, I can't remember which.
Sammi: What?! Looks on IMDB Yeah, that's his wife. She's nine years older than him- I can definitely steal him away.
Me: Right. Just like I'm going to steal James Marsden from his wife.
Sammi: You don't have all the parts he likes- you need a vagina...and boobs.
Me: Whatever. 10 minutes later... Hey! Guess what my name would be if I married James Marsden...James Marsden!

Celebrity Photography

During the past week, both Vanity Fair and the New York Times unveiled their celebrity portfolios for the Oscar season and, for some reason, they have inspired polar opposite feelings in me. The Vanity Fair portfolio, released first, used the films of Hitchcock as an inspiration and couldn't be more beautiful. The New York Times portfolio, on the other hand, are pretty in an avant garde sort of way, but as celebrity photographs, they are horrible.

This revelation got me thinking about what the difference between "good" and "bad" celebrity photography is. I don't consider myself an expert or anything in the field, but I believe that photographing celebrity, at the very least, involves using everything you can to make the celebrity as good looking possible. The picture should revolve around them and their persona. For example, you wouldn't see Greta Garbo or Bette Davis back in the day fighting with any object or the background to be the focus of the picture; on the contrary, the photographer often concentrated just on close ups of their face or profile.

To show what I mean, here are my thoughts on various pictures from both portfolios.

Beautiful. Yummy. Tantalizing. As soon as I saw both James McAvoy and Emile Hirsch clean shaven and all gussied up in 50's fashion, I totally wished that this remake of Strangers on a Train would actually happen. I also love McAvoy's leer...so sexy.

And this is the epitome of bad celebrity photographing. What the hell was the photographer thinking with this shot. Paul Dano looks like one of those damn aliens from Signs, he is so fucking creepy. I just wish my eyes had never seen this horrific photo and that it can be erased from my mind Eternal Sunshine style.

This photo could have been all sorts of amazing, but instead of highlighting McAvoy's lovely face the bonehead photographer covers it with a shadow.

Jennifer Jason Leigh looks like such a monster here it's frightening and Keira Knightley is justifiably scared. Great homage to Rebecca.

And this is supposed to be a photograph of whom? You're guess is as good as mine. (Okay, apparently it's Jennifer Jason Leigh but there's no way you can tell through that thicket of woods).

Damn, Marion Cotillard is fine. And she is the perfect Marion Crane in Psycho. That last shot of her dead is absolutely chilling- her eyes are absolutely vacant.

In this one, Marion looks either A) constipated and trying to go or B) like she's just lost her breath from the harsh wind and she has to do an embarrassingly loud gasp to catch her breath.

Who is this distinguished older lady? I would seriously have no idea with all that hair covering her face if they hadn't put a caption underneath reading "Julie Christie."

Oh, excuse me, I didn't realize Seth Rogen had a small role in Rambo.

What a beautiful ensemble photo. Josh Brolin, Casey Affleck and Ben Foster are looking good, Tang Wei is to die for and the ever classy Julie Christie and Eva Marie Saint are as glamorous as always.

This is probably the best of the New York Times photos, but that's really not saying much. Look what they have to work with.

Wow, they somehow managed to make the 80-something year old Hal Holbrook look 20 years older with this photograph. How on earth do you do that?

Again, who the fuck is this? (Sienna Miller, apparently, but I probably wouldn't have been able to tell anyways).

Jodie Foster is one classy broad and I love this take on The Birds. Who knew behind that rough exterior she looked so damn hot (even while being terrorized by random birds).