Showing posts with label olivia de havilland. Show all posts
Showing posts with label olivia de havilland. Show all posts

Sunday, July 11, 2010

Ordinary People Reimagined 30 Years in Either Direction

In case you're unaware, I have what you may call a sick and unhealthy obsession with the 1980 film Ordinary People. I have seen it more times than any person ever should, and every time I do, I'm an emotional mess for days afterwards. Recently, I even wrote an in-depth piece about how truly groundbreaking the film is, namely in its handling of an unusual mother/son dynamic typically ignored by Hollywood and cinema in general. Due to the film's uniqueness in that respect and its low-key stature despite winning the Best Picture Oscar (because Raging Bull should have won, blah blah get over it), one of my biggest fears is that someone will remake this wonderful film and completely ruin everything great about it. The idea of some hack director getting it into his head that just because the film is set in the early 80s everything in it is outdated and needs to be revamped for today's audiences is the stuff nightmares are made of. Plus, how in the hell do you top this amazing cast?


A very difficult task, indeed. And because I have no life and enjoy thinking about things like this, I often wondered just what the perfect Ordinary People cast would be in 2010 should someone stupidly try to remake it. It's a harder task than you would think given how difficult and precise these characters are. Here's what I came up with:


Andrew Garfield as Conrad
Robert Downey, Jr. as Cal
Nicole Kidman as Beth

If you've seen Boy A, then you understand why Andrew Garfield is perhaps the only choice for Conrad in this remake. Especially for a male actor of his age, he has the uncanny ability to play emotional vulnerability in a way that's usually only expected of females. Conrad is one of the few roles of this nature that relies almost entirely on this ability. Besides, can you imagine any other young male actor in the role? I love Zac Efron but, based on what we've seen so far from him, who knows if he could pull it off. Taylor Lautner? Haha, no. Robert Pattinson would probably be the mainstream alternative, given how they tried to make him James Dean in Remember Me, but I remain unconvinced he has the talent to make it work.

Our very own Ice Queen Nicole Kidman would be the perfect choice to play Beth, a woman whose emotional frigidness actually destroys her. Even if this is Kidman's stock in trade, there's another reason I would pick her. For most of the movie Beth has to hide her lack of emotion by retreating behind a mask of happiness and gaiety. She appears to be warm and loving with all of those around her (minus Conrad, natch), so that is how she is able to deceive her family for so long. I keep picturing that faux warmness Kidman portrayed in The Golden Compass and that's honestly what has me convinced she'd be perfect for the part.

Robert Downey, Jr. may seem like a strange choice, particularly to those people who only know him from his recent resurrection as the biggest star in Hollywood due to star turns in stuff like Tropic Thunder and Iron Man. But before then, he was also a consistently reliable dramatic actor in stuff like Less Than Zero and Chaplin. Playing Cal in Ordinary People would allow him to reconcile these two aspects of his career into one performance.

And because I really have no life, I was recently thinking what the 1950s version of Ordinary People would look like. This recently turned into a long and particularly nerdy Twitter conversation with J.D. and Glenn (the latter of which suggested I turn this into a post, which is funny because I was already planning one halfway through the conversation) that yielded a lot of interesting suggestions. Here is what I ended up going with:


James Dean as Conrad
James Stewart as Cal
Olivia de Havilland as Beth

James Dean, the little prince of post-War tortured teenage emotions, may seem like an obvious choice to play the emotionally damaged Conrad, but sometimes the obvious choice is the right one. I recently re-watched East of Eden and was surprised at just how vulnerable and emotionally needy he was in that film, even more so than in Rebel Without a Cause. Just imagining him in all of his James Dean glory, mumbling and stumbling through those early scenes in an emotional stupor gives me goosebumps. Sal Mineo (who has his own unique take on the emotionally tortured teen) and Dennis Hopper (who played a slightly similar role in Giant) are both other possibilities but Dean is obviously my top pick.

Casting the 1950s version of Beth proved to be a little more difficult. I originally had Bette Davis in mind, because, hello, she's my queen but something didn't quite sound right. Then Olivia de Havilland popped into my head and everything clicked. Much like Mary Tyler Moore in the original, Olivia was perhaps better known for having a warmer persona than Beth has. She wasn't exactly a comedienne like Mary but she was definitely more of an "everyday" girl than Bette. By the 1950s, Olivia had also been experimenting with the ice cold aspect of her persona, most notably in that final act of The Heiress. Her take on Beth would have been fascinating to watch and a nice change of pace from her usual work.

James Stewart could really be interchanged with someone like Henry Fonda as they both have the nice guy personas which would have been interesting to see trying to mediate between de Havilland and Dean. I ended up going with Stewart only because at one point he and de Havilland were heavily involved romantically. You all know how much I love to watch art mimicking and reflecting on real life so watching them as their marriage deteriorates might have given a glimpse into what they were like together.

Now it's your turn. If you had the chance to recast Ordinary People 30 years either way, who would you go with?

Monday, September 7, 2009

My Best Actress Winners

Recently, I realized that I've never really shared something very important with you: who I would pick as my Diva Cup Award winners for Best Actress. I've shared with you my recent winners (and I've already changed from Streep to Dench in 2006) but nothing before 2004 or so. In case you're ever curious who I would pick in 1946 or any other random year, here it is for you in beautiful pictorial form starting with 1927/28.

By the way, a note on the 70's, 80's and 90's: I'm a child of TCM. My cinematic awakening coincided with my discovery of films from the 30's and 40's so I watched (and still watch) TCM obsessively. The only problem with that is they usually don't show many films from the 70's, 80's and into the 90's, so that's why I'm noticeably weak there with some of my choices. I hope to someday fill in huge gaps in these years, but my choices for now will have to do.


















Row #1: Eleanor Boardman, Lillian Gish, Greta Garbo, Marie Dressler, Joan Crawford

Row #2: Greta Garbo, Norma Shearer, Katherine Hepburn, Jean Harlow, Irene Dunne

Row #3: Katharine Hepburn, Vivien Leigh, Bette Davis, Barbara Stanwyck, Greer Garson

Row #4: Teresa Wright, Judy Garland, Arletty, Ingrid Bergman, Joan Crawford

Row #5: Olivia de Havilland, Olivia de Havilland, Bette Davis and Gloria Swanson, Vivien Leigh, Judy Holliday

Row #6: Marilyn Monroe, Judy Garland, Susan Hayward, Giulietta Masina, Tatyana Samojlova

Row #7: Elizabeth Taylor, Marilyn Monroe, Shirley MacLaine, Audrey Hepburn, Bette Davis

Row #8: Leslie Caron, Joan Crawford, Catherine Deneuve, Elizabeth Taylor, Anne Bancroft

Row #9: Barbra Streisand, Jane Fonda, Raquel Welch, Jane Fonda, Liza Minnelli

Row #10: Barbra Streisand, Ellen Burstyn, Ronee Blakley, Faye Dunaway, Diane Keaton

Row #11: Jill Clayburgh, Bette Midler, Sissy Spacek, Faye Dunaway, Meryl Streep

Row #12: Julie Walters, Lily Tomlin, Cher, Chloe Webb, Glenn Close

Row #13: Susan Sarandon, Jessica Tandy, Anjelica Huston, Mimi Rogers, Emma Thompson

Row #14: Angela Bassett, Sigourney Weaver, Toni Collette, Brenda Blethyn, Pam Grier

Row #15: Cameron Diaz, Reese Witherspoon, Julia Roberts, Nicole Kidman, Diane Lane

Row #16: Diane Keaton, Imelda Staunton, Joan Allen, Dame Judi Dench, Marion Cotillard

Row #17: Anne Hathaway

See if you can guess the performance at home and if you're confused, just drop me a comment.

Thursday, December 11, 2008

20 Favorite Actresses Meme

When I saw this over at The Film Experience a couple of days ago, I immediately decided that I was going to do it whether or not I was actually tagged by someone. I have been super busy the past couple of days and couldn't take the amount of time necessary to give this the attention it deserves. Well, now I do have the time and it just so happens that I was tagged not only once, but twice! Thanks guys and without further ado, here are my 20 favorite actresses, in no particular order.


Katherine, Greta, Bette, Meryl, Marie
Glenn, Marilyn, Thelma, Joan, Greer
Mary, Babs, Elizabeth, Dame Judi, Vivien
Norma, Judy, Nicole, Olivia, Faye

My apologies to the also-rans: Anne Hathaway, Diane Lane, Joan Allen, Susan Hayward, Eleanor Parker, Jean Harlow, Diane Keaton

My tastes actually skew more toward the older, but that's mostly because I lived and breathed TCM during high school and fell in love with many of the lovely, beautiful and talented ladies. If anything, I'm actually much weaker when it comes to the 80's, 90's and early 2000's. But, of course, that just means there's always great actresses to discover and possibly change this list in the future.

EDIT: I just realized that I forgot to tag some people so I choose Marcy @ Because I Saw the Film, Kayleigh @ Shiny Happy Blog, Michael @ My Stuff and Cr*p and Vera @ Vera's Big Gay Blog.

Tuesday, July 29, 2008

12 Movies to Save the World

Wow, I feel somewhat loved this afternoon. I've been tagged not once, but twice, to take part in the latest meme from the Lazy Eye Theatre. So, thank you JD and Glenn for the shoutouts! I'm supposed to pretend that I'm running a movie theater and have to select 12 movies to play as six double features. Here are the rules from the original:

1) Choose 12 Films to be featured. They could be random selections or part of a greater theme. Whatever you want.

2) Explain why you chose the films.

3) Link back to Lazy Eye Theatre so I can have hundreds of links and I can take those links and spread them all out on the bed and then roll around in them.

4) The people selected then have to turn around and select 5 more people.

Here we go, this is going to be fun!


Night 1: Friendship
Rebel Without a Cause (Nicholas Ray, 1955)
Romy and Michele's High School Reunion (David Merkin, 1997)
I want to start off with my mini film-festival on a positive note, so I'll start with a positive theme: friendship. I chose Rebel Without a Cause to kick off the festivities because it's still an incredibly modern and relevant film in the 2000's (that is, if you look past all the bad 50's dialogue) and the relationship between James Dean, Natalie Wood and Sal Mineo is simply beautiful. On the other hand, Romy and Michele's High School Reunion, an unfairly maligned chick flick that only gets better and funnier with age, hysterically shows the strange but all-too-true dynamics of friendships: somedays you're making fun of Pretty Woman together while eating Doritos, other times you bickering about who's the Mary and who's the Rhoda and still others you simply can't stand looking at each other. But, at the end of the day, you know that you'll be there to help them out when you need them the most (and then do a totally impromptu ballet to Cyndi Lauper's "Time After Time").

Night 2: Needs a Second Look
Family Diary (Valerio Zurlini, 1962)
Mississippi Mermaid (Francois Truffaut, 1969)
For the second night, I wanted to pick two films that I've seen only once before and really want to see again but haven't had the opportunity. While watching Valerio Zurlini's Family Diary on TCM a few months ago, I generally thought it was a good melodrama with a couple of nice performances from Marcello Mastroianni and Jacques Perrin and nothing more. For the next couple of days, however, I couldn't get the damn movie and its gorgeous images out of my head. Quite simply, Family Diary is one of the greatest films ever made about the relationship between brothers. I wish I could see this one again, but, unfortunately, I deleted this off my DVR before I realized how good it was and it's not available anywhere on DVD or even VHS. Such a shame; I really need a second look. Mississippi Mermaid not only features the most beautiful romantic leads ever with Jean-Paul Belmondo and Catherine Deneuve (second only to Newman and Taylor in Cat on a Hot Tin Roof) but it is also one of Francois Truffaut's many salutes to Hitchcock. I wasn't crazy with the results when I saw it the first time, but I started thinking that maybe, like most of Hitchcock's greatest works (except for Vertigo...I've seen it at least twice now and I still don't think it's that great), it needs a couple of viewings to be evaluated properly.

Night 3: Insanity
Network (Sidney Lumet, 1976)
The Snake Pit (Anatole Litvak, 1948)
With this pairing on night three, a somewhat deep and philosophical question can be asked after watching Sidney Lumet's masterpiece Network and the underrated Olivia de Havilland vehicle The Snake Pit back-to-back: Who's actually crazier-- de Havilland and the other "loonies" in the ward or Howard Beale, Diana Christensen and the followers of Beale's madman rants?

Night 4: Mothers from Hell
Mommie Dearest (Frank Perry, 1981)
Ordinary People (Robert Redford, 1980)
Night four will consist of the mothers that we love to hate in two very different movies made just a year apart. Mommie Dearest is pure camp from start to finish, while Ordinary People is a slick, grown up tragedy that a lot of people complain about winning the Best Picture Oscar over Raging Bull. That's pretty sad that this is Ordinary People's main claim to fame because it's a much better film than it's given credit for (and Redford's achievement is nearly as great as Scorsese's behind the director's chair).

Night 5: True Love
Bonnie and Clyde (Arthur Penn, 1967)
Sid & Nancy (Alex Cox, 1986)
Having never been in love myself, I have a warped sense of what "romantic" is. For my fifth night, I'm offering two movies that I think are quite possibly the most romantic ever made. Both Bonnie and Clyde and Sid & Nancy concern outcasts who meet, have undeniable spark and will do anything for each no matter how illegal or immoral. So what if Sid (allegedly) kills Nancy and then overdoses on heroin or Bonnie and Clyde end up gunned down in a blaze of bullets?

Night 6: Politics as Comedy
Duck Soup (Leo McCarey, 1933)
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
Duck Soup was a flop when it was released in 1933, but today it couldn't be any more relevant concerning the war in Iraq and Bush's presidency. The Marx Brothers let their usual brand of anarchy spill all over the place with a glorious mix of pantomime, one-liners, musical numbers and slapstick. Dr. Strangelove is a comedy about nuclear warfare; how much crazier does that get? Add to that the loony General Turgidson (how did George C. Scott get passed up for an Oscar that year?) who's sole purpose for being is, no matter the human cost, to kill as many Reds as possible. Underneath all of the laughter, it's generally an uncomfortable film because you have to believe that at some point Bush has had a meeting exactly like the one that takes place in The War Room.

And now for the tagging... mB, Michael Parsons and anyone else who hasn't been tagged and would like to do this. Just link back to here so I can enjoy your post (and the rest of your blog if I've never read you before!).

Sunday, June 29, 2008

The 1939 Supporting Actress Smackdown is Here!

StinkyLulu is hosting the 1939 Supporting Actress Smackdown today so head on over and check that out. Yours truly is participating once again and, like always, I had a lot of fun offering my two cents about these five performances. What made 1939 an even greater treat was that I got to discuss two performances from my favorite film of all time: Hattie McDaniel and Olivia de Havilland in Gone With the Wind.

That's quite a trio there.

Who of the 5 nominees would I give the Oscar to if I had the choice? Which performances (trust me, there were more than one!), for being from such a banner year, were complete wastes of time? And, most importantly, who will the Smackdowners give the trophy to? All these questions will be answered here.

Thursday, June 26, 2008

Oprah's Favorite Links

Over at Goatdog's Blog, Mike, Nathaniel of The Film Experience and Nick of Nick's Flick Picks are on hand to discuss their latest in the Best Pictures from the Outside In series. This time, they discuss the 1928-29 winner The Broadway Melody (which, I'm urging you, avoid at all costs) and the 2006 winner The Departed (Best film of the year, in my opinion).

StinkyLulu discusses Olivia de Havilland in Gone With the Wind for the upcoming Smackdown on Sunday, of which I will be taking part in.

My New Plaid Pants has screengrabs of the best scene of the year so far.

Stale Popcorn ponders why so many actors and actresses have given the greatest performances of their career in gay (or homoerotic) roles.

Valley Dreamin' thinks Nicole Kidman is totally overrated.

A Blog Next Door announces his dream ballot for the Comedy Emmy's.